Results 41 to 50 of about 13,930 (218)
Martí de Riquer: More than seventy years of studies on troubadour poetry [PDF]
This Autumn issue of SVMMA is entirely dedicated to the memory of Martí de Riquer, Professor of History of Romance Literatures at the University of Barcelona who devoted his work to the areas of Catalan, Hispanic, and Romance philology and passed away on
Mussons Freixas, Anna M.
core +1 more source
BdT 392.29 is a bilingual Occitan-French partimen between the troubadour Raimbaut de Vaqueiras and the trouvère Conon de Béthune. A close investigation of its language, style, contents, contexts of composition and reception leads to reaffirm that both of
Federico Saviotti
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En quel sens peut-on parler de « modernités des troubadours », ces poètes lyriques du premier Moyen Âge compositeurs de pièces écrites dans une langue superbe mais désormais difficile à comprendre ? Ils ne cessent pourtant de hanter la mémoire des poètes, des musiciens, des romanciers, par l’attrait de leur chant amoureux né en langue d’oc et qui ...
Burle Errecade, Elodie+2 more
openaire +4 more sources
My thesis proposes to fill a gap in the literary history of the troubadours by studying in detail the work of the Parisian scholar Sainte-Palaye, that is all the manuscripts that enabled him to work on the troubadours. My aim is to determine what turning
Laure‑Anne Caraty
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The seasonal onsets, which are written as and considered to be topos of the poetic composition, don’t only provide us with information about the ways the natural motif moves along between the poetry of the troubadours and of the northerners, but also ...
Guillaume Oriol
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« Tuttor ch’eo dirò “gioi” ». La « joie » appellatif de la dame dans la lyrique romane médiévale
The presence–in a French rondeau transcribed in a recently-discovered Italian fragment–of the appellation formula “douce yoye”addressed to the lyrical I’s beloved inspires a reflexion about the use of the noun “joy” in French (joie), Occitan (joi, joia ...
Federico Saviotti
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Our analysis aims to highlight some of the particular nuances which enriched the troubadours’ tradition in the XIIth-XIIIth centuries, when many trouveres enjoyed embroidering their verses with the topoï attached to fin’amor, or even borrowing them ...
Luminiţa Diaconu
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Abstract This article investigates the ways in which late‐nineteenth‐century students at Northwestern University's Cumnock School of Oratory mobilised elocution training and parlour performance to foster mixed‐gender public discourse. I use student publications to reconstruct parlour meetings in which women and men adapted traditions of conversational ...
Fiona Maxwell
wiley +1 more source
Immagini belliche dai provenzali ai siciliani
Considerata l’importanza della Scuola siciliana alle origini della tradizione lirica italiana, è parso utile tornare sulla questione del rapporto con gli antecedenti occitanici. Essi hanno rappresentato infatti un modello fondamentale, che però non porta
Giulia Ravera
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