Pioneering "Experimental Heroes" of Turkish Cinema
While the narrative tradition, which has been developing for thousands of years, can be examined by dividing it into three parts as Drama, Lyricos and Epos, since the discovery of cinematography 127 years ago, narrative in cinema has developed ...
Selma Köksal
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Cinema as a Form of Culturel Representation: A Comparative Analysis of the Films Lal Gece (2016) and Hwal (Yay,2005) from Gender Perspectives /Kültürel Gösterge Aracı Olarak Sinema: Lal Gece (2016) ve Hwal (Yay,2005) Filmlerinin Toplumsal Cinsiyet Bağlamda Karşılaştırmalı Analizi [PDF]
The aim of this study is to establish the relation between gender and culture through cinema, which is a cultural indicator tool. Based on the assumption that there is a parallelism between cultural identity and gender, the study has tried to ...
İzlem Kanlı*, Pelin Agocuk**
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This essay describes the history of Turkish cinema from its origins in 1896 until the present, focusing upon how Islam and religious Muslims are portrayed in the movies. For historical, political, and cultural reasons, Islam and religious Muslims have often been portrayed in a negative light, even though Turkey is a predominantly Muslim country ...
Yorulmaz, Bilal, Blizek, William L.
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Güneş Ne Zaman Doğacak?: A different approach from the perspective of Turkish cinematic art
Discussing the debate and ideological background regarding national cinema, this form of art shall be compared to several other contemporary cinematic currents in Turkey.
Mehmet Yılmazata, Erdem Güven
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The Second World War was not only “the war of bombs and bullets” but also of images and words. Even though Turkey did not enter the war until February 1945, Allied and Axis forces tried to influence the Turkish government and society with propaganda and
Hatice Selen Akçalı Uzunhasan
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Changes in Women’s Representations in Turkish Cinema from the 1980s to the Early 1990s
This article focuses on the representations of women alongside the social and historical background of Turkish cinema from the 1980s through the early 1990s.
Fatma Özen
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From Past To Present A Cognitive Work On “New Turkish Cinema”
In recent years, “new” concept has become very consumable especially within the context of politics in our country. Generally, after certain periods in Turkey, “new”, representative of political changes and emphasizing reconstruction process, has been a ...
Arif Can Güngör
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This issue of CINEJ focuses on issues ranging from Malian Cinema, Islam in Turkish cinema, Bergman, Mulholland Drive and sound in early Hollywood cinema.
Murat Akser
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Muhsin Ertuğrul: Türk Sinemasının Kurucusu mu Yoksa Günah Keçisi mi? / Muhsin Ertuğrul: The Founder or the Scapegoat of Turkish Cinema? [PDF]
Muhsin Ertuğrul (1892-1979), Cumhuriyet’in ilk yıllarında çektiği filmlerle Türk sinemasının genetik kodlarını oluşturmuştur. Ertuğrul hakkındaki literatürde daha çok Nijat Özön’ün yazdıkları egemendir.
Seçkin SEVİM
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Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema
This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters.
Yasemin Barlan
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