Results 11 to 20 of about 120,661 (285)

Africa Explores: 20th Century African Art

, 1992
Photograph of the exhibition "Africa Explores: 20th Century African Art," February 9-April 5, 1992, held at the Dallas Museum of ...
Dallas Museum of Art
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Amateurism and American Visual Culture: An Introduction

Panorama, 2019
Artists employ amateurism, both overtly and obliquely, for a number of reasons—to find relief from the burdens of expertise, to heighten the authenticity of their work, or to casually incorporate a new craft or technology into their fine art.
Justin Wolff
doaj   +1 more source

Arthur Upham Pope and his “research methods in Muhammadan art”: Persian carpets [PDF]

Journal of Art Historiography, 2012
This paper looks at the emergence of Persian carpet scholarship in the early twentieth century, and the formative role played by Arthur Upham Pope, one of the American pioneers of Iranian art studies and collecting.
Yuka Kadoi
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Artists/Ceramists in the Role of University Teachers

Center for Educational Policy Studies Journal, 2020
The teaching of ceramics is a topic that has been much discussed in pedagogical discourse throughout the entire second half of the twentieth century and until today.
Silvie Novotná
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Rechercher et imaginer l’art « black » américain depuis 2005

Perspective, 2015
The literature on black artists, their art, the aesthetics of racial difference and cultural distinctiveness, and the black image has grown incrementally, from a rare phenomenon at the beginning of the twentieth century to a relatively common occurrence ...
Richard J. Powell
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On Belatedness. The Shaping of Portuguese Art History in Modern Times

Artium Quaestiones, 2019
Portuguese art history experienced remarkable development after World War II, especially with the work of José-Augusto França, who was responsible for establishing a historiographic canon for nineteenth- and twentieth-century Portuguese art that still ...
Mariana Pinto dos Santos
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Methodologies of Exchange: MoMA's "Twentieth-Century Italian Art" (1949) [PDF]

, 2020
The third issue of “Italian Modern Art” journal by CIMA (Center for Italian Modern Art) is dedicated to MoMA 1949 exhibition Twentieth-Century Italian Art.
D. Colombo, S. Bignami, R. Bedarida
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‘Canonization in early twentieth-century Chinese art history’ [PDF]

Journal of Art Historiography, 2014
Since the 1980s, the discussion of canons has been a dominant theme in the discipline of Western art history. Various concerns have emerged regarding ‘questions of artistic judgment’, ‘the history genesis of masterpieces’, ‘variations in taste’, ‘the ...
Guo Hui
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From Aestheticism to Modernism, and Back Again

19, 2006
This paper argues that the conventional art-historical periodization, in which Modernism inexorably supersedes Aestheticism, and the year 1900 marks a radical break in the history of art, is seriously flawed: not only historiographically naïve, it is ...
Elizabeth Prettejohn
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The Numinous and the Art of Social Justice

Svensk Teologisk Kvartalskrift, 2023
In Das Heilige, Rudolf Otto discusses not only conceptual, but artistic parallels to the idea of the "numinous". The artistic styles and periods that he mentions are those admired by European literati and intellectuals of his time.
Margaret Olin
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