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Amateurism and American Visual Culture: An Introduction
Panorama, 2019 Artists employ amateurism, both overtly and obliquely, for a number of reasons—to find relief from the burdens of expertise, to heighten the authenticity of their work, or to casually incorporate a new craft or technology into their fine art.
Justin Wolff
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Arthur Upham Pope and his “research methods in Muhammadan art”: Persian carpets [PDF]
Journal of Art Historiography, 2012 This paper looks at the emergence of Persian carpet scholarship in the early twentieth century, and the formative role played by Arthur Upham Pope, one of the American pioneers of Iranian art studies and collecting.
Yuka Kadoi
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Artists/Ceramists in the Role of University Teachers
Center for Educational Policy Studies Journal, 2020 The teaching of ceramics is a topic that has been much discussed in pedagogical discourse throughout the entire second half of the twentieth century and until today.
Silvie Novotná
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Rechercher et imaginer l’art « black » américain depuis 2005
Perspective, 2015 The literature on black artists, their art, the aesthetics of racial difference and cultural distinctiveness, and the black image has grown incrementally, from a rare phenomenon at the beginning of the twentieth century to a relatively common occurrence ...
Richard J. Powell
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On Belatedness. The Shaping of Portuguese Art History in Modern Times
Artium Quaestiones, 2019 Portuguese art history experienced remarkable development after World War II, especially with the work of José-Augusto França, who was responsible for establishing a historiographic canon for nineteenth- and twentieth-century Portuguese art that still ...
Mariana Pinto dos Santos
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The Numinous and the Art of Social Justice
Svensk Teologisk Kvartalskrift, 2023 In Das Heilige, Rudolf Otto discusses not only conceptual, but artistic parallels to the idea of the "numinous". The artistic styles and periods that he mentions are those admired by European literati and intellectuals of his time.
Margaret Olin
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‘Canonization in early twentieth-century Chinese art history’ [PDF]
Journal of Art Historiography, 2014 Since the 1980s, the discussion of canons has been a dominant theme in the discipline of Western art history. Various concerns have emerged regarding ‘questions of artistic judgment’, ‘the history genesis of masterpieces’, ‘variations in taste’, ‘the ...
Guo Hui
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From Aestheticism to Modernism, and Back Again
19, 2006 This paper argues that the conventional art-historical periodization, in which Modernism inexorably supersedes Aestheticism, and the year 1900 marks a radical break in the history of art, is seriously flawed: not only historiographically naïve, it is ...
Elizabeth Prettejohn
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Panorama, 2020 The choice of Wyeth—not Pollock, not Warhol—to represent the kind of American art that the publishers wished to highlight in the magazines to their burgeoning [Taiwanese] readership, almost three decades after the end of WWII, was indeed curious.
ShiPu Wang
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Contemporary Artists on Colonial Museums
Boletín de Arte, 2016 Ethnological museums are not only where objects from primitive societies are exhibited, but also creators of categories, parameters and models of behaviour and understanding of the world in relation to such societies.
Estela Ocampo
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