Results 31 to 40 of about 7,867 (163)
Falar, Respirar, Fotocopiar: Margens que Não Estão pelos Ajustes
Recensão crítica à obra de Kate Eichhorn, Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century. Cambridge, Massachusetts: The MIT Press, 2016, 216 pp. ISBN 9780262033961.
Bruno Ministro
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Self-Portraits and Photocopies: Anita Steckel’s Feminist Collage
Rachel Middleman
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‘Das Problem der persischen Kunst‘, a translation edited with an introduction by Yuka Kadoi [PDF]
Among several publications written by the Vienna School of Art History professor Josef Strzygowski (1862 – 1941) during the first few decades of the twentieth century, “Das Problem der persischen Kunst” (1911), deserves a detailed art-historiographical ...
Josef Strzygowski, Yuka Kadoi
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The art exhibition PIONEERING: Chinese Artists Abroad in France and Chinese Modern Art (1911–1949) held by the CAFA Art Museum in 2019 has been recognised as the largest-scale research exhibition on the ‘early twentieth-century study-abroad phenomenon ...
Yijiao Xu, Sarena Abdullah
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Whenever twentieth-century modern art or new contemporary artworks are included amongst displays of ancient Egypt, press statements often assert that such juxtapositions are ‘surprising’, ‘innovative’, and ‘fresh’, celebrating the external perspective ...
Alice Stevenson
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Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s
Eunyoung Park
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Acquisitions: Twentieth-Century Fine and Applied Art
Ludo van Halem
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Reflection and Refraction: Multivalent Social Realism in the Work of Joaquín Sorolla
Joaquin Sorolla’s Social Realist work Sad Inheritance! provides the grounds for this cross-sectional case study into Social Realism in Spain, Spanish politics at the turn of the twentieth century, and affect theory in art. By formally analyzing this work,
Rachel Vorsanger
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With Pleasure: Pattern and Decoration in American Art 1972–1985
Anne Swartz
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Combinatorics in the Art of the Twentieth Century
This paper is motivated by a question I asked myself: How can combinatorial structures be used in a work of art? Immediately, other questions arose: Whether there are artists that work or think combinatorially? If so, what works have they produced in this way?
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