The individual’s triumph: the eighteenth-century consolidation of authorship and art historiography [PDF]
Journal of Art Historiography, 2017 The eighteenth-century consolidation of authorial identity – apparent in Salon livrets, art criticism, sales catalogs, inventories, the theoretical development of maniera, signing and hanging practices – was crucial to subsequent, nineteenth-century ...
David Pullins
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2. The Openness of the Visual Art Curriculum towards a New Visual Art Language
Review of Artistic Education, 2016 Visual art curriculum should allow a wide range of activities to develop children's imagination and creativity, to provide a balanced framework for the harmonious development of people who can cope with the massive ammount of images that invade our daily
Aprotosoaie-Iftimi Ana-Maria
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The Creative Arts and Twentieth Century Education
NASSP Bulletin, 1979 This article is adapted from a position paper written for the Liaison Committee on the Creative Arts, a statewide organization drawn from all segments of education in California. The author provides an overview of the arts in today's society.
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De l’exposition-événement au(x) livre(s)
BalisagesLe catalogue d’exposition, contrairement au catalogue raisonné ou au catalogue de collection, est intrinsèquement lié à des événements spécifiques, offrant un instantané d’œuvres d’art réunies dans un laps de temps limité. Cependant, il sert également de
Marie Gispert, Émilie Oléron Evans
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L’évolution récente des expositions temporaires sur le Moyen Âge en Italie: Public, thèmes, finalités [PDF]
Zograf, 2011 This article proposes a reflection about Italian art exhibitions on Middle Ages all over the twentieth century in order to understand the reception of medieval history in Italy.
Trivellone Alessia
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Innovators and Iconoclasts: Six Books on Latin American Modern and Contemporary Art
Latin American Research Review, 2019 This essay reviews the following works: Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art. By Alexander Alberro. Chicago: University of Chicago Press, 2017. Pp. 368. $50.00 hardcover.
Harper Montgomery
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The Role of the Landscape in the Collage: Connections in the Past and the Present
Деміург: ідеї, технології, перспективи дизайну, 2019 The aim of the research is to throw light on the different meanings of landscape in the art of Sergei Sviatchenko with a specific focus on his collages. The methology of the research.
Ibеn From
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Rewindykacje pustki, czyli prawie wszystko o prawie niczym
Teksty Drugie, 2018 Review: M. Czapiga, Po-widoki pustki. O sposobach konceptualizowania pustki w kulturze współczesnej [After-Images of Emptiness: Conceptualizing Emptiness in Contemporary Culture] (Cracow: Universitas, 2017).
Piotr Michałowski
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On The Road Reconsidered: Art, Identity, and the Highway
Panorama, 2023 David Smucker
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5. Bessarabian in the Modern Engraving Constitution and Interference with its European Art
Review of Artistic Education, 2016 Runing the new century (XX) attests in Bessarabian art, the experience of several decades of professional artistic activity (the first Evening School of Drawing appears in Chisinau in 1887 and is due scholar Academy of Arts in St.
Saviţkaia-Baraghin Iarîna
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