Results 21 to 30 of about 510,126 (307)
La représentation des élites grecques
In the Greek area, despite the realization of portraits of Phanariots and dignitaries, the art of portraiture remained marginal till the creation of the new Greek State and during its first decades. Indeed the lack of a structured bourgeoisie and of arts
Irini Apostolou
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The Image and Imagination of the Fourth Dimension in Twentieth-Century Art and Culture [PDF]
One of the most important stimuli for the imaginations of modern artists in the twentieth century was the concept of a higher, unseen fourth dimension of space. An outgrowth of the n-dimensional geometries developed in the nineteenth century, the concept
Henderson, Linda Dalrymple
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Leonor Fini, tra Surrealismo e “ritorno all’ordine” [PDF]
Leonor Fini is one of the most important female artists and personalities of the Twentieth Century. Painter, costume designer, illustrator, drawer, scenographer and, above all, rebellious and cosmopolitan woman.
Giuseppina Gullo
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The Truth of Art in David Jones and Hans-Georg Gadamer
I shall examine the theory of art developed by David Jones, the twentieth-century Anglo-Welsh poet and artist (especially in his essay “Art and Sacrament”), in the light of a comparison with the theory of art propounded by Hans-Georg Gadamer, the ...
Potter Martin
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The dominant narrative in the Spanish art history of the second half of the 20th century has presented the progress of Spanish art and its innovation in its way towards autonomy.
Noemi de Haro García
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In accordance with the findings obtained from field studies, the portals and doors in the structure of the entrance spaces of residential buildings in Eastern Galicia (the part of former Galicia and Lodomeria) in the late nineteenth century to the first ...
Shcheviova Uliana
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Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose [PDF]
In 2008, the works of the Bengali artist Nandalal Bose (1882-1966) enjoyed a rare North American museum tour, first at the San Diego Museum of Art and then at the Philadelphia Museum of Art.
Dinkar, Niharika
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Amateurism and American Visual Culture: An Introduction
Artists employ amateurism, both overtly and obliquely, for a number of reasons—to find relief from the burdens of expertise, to heighten the authenticity of their work, or to casually incorporate a new craft or technology into their fine art.
Justin Wolff
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Conceptual Revolutions in Twentieth-Century Art [PDF]
From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and ...
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Artists/Ceramists in the Role of University Teachers
The teaching of ceramics is a topic that has been much discussed in pedagogical discourse throughout the entire second half of the twentieth century and until today.
Silvie Novotná
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