Results 31 to 40 of about 8,362 (314)

Pismo jako obiekt muzealny (na przykładzie zbiorów Działu Sztuki Wydawniczej Muzeum Narodowego we Wrocławiu)

open access: yesZ Badań nad Książką i Księgozbiorami Historycznymi, 2022
Writing systems and typefaces embodimented in any form (letter sketches, designs of typefaces, resources of sorts and matrices, prints and manuscripts, printing specimens, type foundries catalogues, typefaces specimens) are objects worth to become museum
Jakub Maciej Łubocki
doaj   +1 more source

Typefaces Are All Almost the Same. Non-systematic Review of Scientific Findings on the Impact of Typographic Features on Reading Performance

open access: yesDIID, 2021
The interest in discovering the limits of legibility has not ceased to interest those who use letters in typography and, to a certain extent, those who study the reading process. Sometimes the debate on the subject is marred by sensationalism.
Luciano Perondi
doaj   +1 more source

The Ottoman Printers’ 8 Point Naskh Typeface and its Turkish Type Maker Mehmed Emin Efendi

open access: yesSanat Tarihi Yıllığı, 2022
This paper discusses the 8 point (pt) naskh typeface created in Istanbul between 1870 and 1875 and utilized by Ottoman printers during the late 19th and early 20th centuries.
Onur Fatih Yazıcıgil
doaj   +1 more source

Optimal Typeface and Type Size on Thai Drug Labeling and Drug Documentation: A Recommendation for Legal Development

open access: yesArchives of Design Research, 2022
Background An earlier study by Punsongserm and Suvakunta (2022) investigated how using proper typefaces and type sizes on Thai drug packages and patient information leaflets affects reading times and participants' satisfaction.
Rachapoom Punsongserm, Pittaya Suvakunta
semanticscholar   +1 more source

The Effect of Serif and San Serif Typeface of Luxury Fashion Logotype on Chinese Consumers’ Brand Perception

open access: yesJournal of Business Administration Researches, 2022
An appropriate and well-designed logotype is essential to create brand awareness and positive brand perception. The effect of different typefaces has not been well researched in the luxury fashion sector.
Wang Zheng, M. Shanat, L. R. Kanyan
semanticscholar   +1 more source

Does a specialist typeface affect how fluently children with and without dyslexia process letters, words, and passages?

open access: yesDyslexia, 2022
Children with dyslexia are at risk of poor academic attainment and lower life chances if they do not receive the support they need. Alongside phonics‐based interventions which already have a strong evidence base, specialist dyslexia typefaces have been ...
Holly Joseph, Daisy Powell
semanticscholar   +1 more source

Visibility and legibility of five-letter words in different experimental conditions [PDF]

open access: yesJournal of Graphic Engineering and Design, 2022
The length of a word depends on the number of characters that make it up. Since we are constantly confronted with words (information), a suitable typeface should be chosen to make reading comfortable and easy.
Primož Weingerl   +2 more
doaj   +1 more source

when the poet gives empty leaves

open access: yesJournal of Early Modern Studies, 2022
In the right light, blank pages in renaissance books routinely reveal legible  impressions of uninked typeface, especially interesting when these frisket-  hidden texts are intertextual, as when typeface from Aldo Manuzio’s April  1501 Vergil prints ...
Rosetta Stein
doaj   +1 more source

MEMBANGUN IDENTITAS BANDAR LAMPUNG DENGAN MERANCANG TYPEFACE AKSARA LAMPUNG

open access: yesKreatif : Jurnal Karya Tulis, Rupa, Eksperimental dan Inovatif, 2022
Lampung adalah sebuah provinsi yang terletak di bagian paling selatan pulau Sumatra Indonesia. Aksara Lampung merupakan simbol visual yang berguna untuk mengungkapkan ekspresi dalam Bahasa Lampung.
Fajar Ahmad Faizal   +2 more
semanticscholar   +1 more source

Eye tracking study of attention to print advertisements: Effects of typeface figuration

open access: yesJournal of Eye Movement Research, 2016
The use of rhetorical figures has become a widely–accepted method for capturing attention and positively increasing cognitive effort in print advertisements.
Irma Puškarević   +3 more
doaj   +1 more source

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