Results 31 to 40 of about 8,483 (311)
Legibility: Sinhala typeface features for Directional Informative Sign Boards [PDF]
Journal of Graphic Engineering and Design, 2023 Typefaces designed for the purpose of directional informative sign boards (DISB) communicate legible information related to drivers and passengers to navigate within road systems to: maintain road discipline and assist drivers to make instant decisions ...
Shyanika Eramudugolla +1 more
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EDIS, 2021 This publication on the elements document design is the third of a five-part series on document design. This series also covers the document design process, principles of document design, graphic file formats, and brochure and newsletter design ...
Ricky Telg, Ashley McLeod-Morin
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Development of "Sam Contemporary Font" Typeface Based on Sam Poo Kong Temple Ornament
Gelar: Jurnal Seni Budaya, 2022 The ornamental design found in the architectural building of the Sam Poo Kong Temple gives an oriental unique characteristic. As a cultural heritage tourism destination, Sam Poo Kong Temple is required to develop the concept of information as part of ...
Dzuha Hening Yanuarsari, Agus Setiawan
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Cogent Education, 2021 The replacement of Times New Roman (TNR—serif) with Calibri (sans serif) as default typeface on Microsoft Office Word reflects the growing prevalence of screen-based reading.
Michael O. Ukonu +3 more
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Aksara Jawa Sebagai Ide Dasar Perancangan Typeface Kampung Tembalangan.
MAVIS Jurnal Desain Komunikasi Visual, 2023 Tembalangan adalah sebuah perkampungan padat penduduk yang terletak di jalan Bunga Kumis Kucing, kota Malang, Jawa Timur. Kampung ini memiliki banyak potensi mulai dari sumber daya alamnya, hingga potensi sejarah dan budaya.
Bernardus Satria Agasta Dwi Cahyono +2 more
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Z Badań nad Książką i Księgozbiorami Historycznymi, 2022 Writing systems and typefaces embodimented in any form (letter sketches, designs of typefaces, resources of sorts and matrices, prints and manuscripts, printing specimens, type foundries catalogues, typefaces specimens) are objects worth to become museum
Jakub Maciej Łubocki
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DIID, 2021 The interest in discovering the limits of legibility has not ceased to interest those who use letters in typography and, to a certain extent, those who study the reading process. Sometimes the debate on the subject is marred by sensationalism.
Luciano Perondi
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The Ottoman Printers’ 8 Point Naskh Typeface and its Turkish Type Maker Mehmed Emin Efendi
Sanat Tarihi Yıllığı, 2022 This paper discusses the 8 point (pt) naskh typeface created in Istanbul between 1870 and 1875 and utilized by Ottoman printers during the late 19th and early 20th centuries.
Onur Fatih Yazıcıgil
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Visibility and legibility of five-letter words in different experimental conditions [PDF]
Journal of Graphic Engineering and Design, 2022 The length of a word depends on the number of characters that make it up. Since we are constantly confronted with words (information), a suitable typeface should be chosen to make reading comfortable and easy.
Primož Weingerl +2 more
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when the poet gives empty leaves
Journal of Early Modern Studies, 2022 In the right light, blank pages in renaissance books routinely reveal legible impressions of uninked typeface, especially interesting when these frisket- hidden texts are intertextual, as when typeface from Aldo Manuzio’s April 1501 Vergil prints ...
Rosetta Stein
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