Results 31 to 40 of about 186 (169)
Nodes, Edges, and Artistic Wedges: A Survey on Network Visualization in Art History
Abstract Art history traditionally relies on qualitative methods. However, the increasing availability of digitized archives has opened new possibilities for research by integrating visual analytics. This survey presents a comprehensive review of the intersection between art history and visual analytics, focusing on network visualization and how it ...
Michaela Tuscher +4 more
wiley +1 more source
Red organic dye identification is an important topic for conservation of Japanese ukiyo-e prints. Of particular interest are the works of Suzuki Harunobu, who was working at the inception of full-color printmaking.
Lyndsay N. Kissell +5 more
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Disruptive transformation of artworks in master-disciple relationships: the case of Ukiyo-e artworks
Art-historical research has traditionally emphasized qualitative interpretation and visual analysis, but recent advances in machine learning have enabled the quantitative examination of visual and stylistic features that were previously difficult to ...
Shinichi Honna, Akira Matsui
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Variations in Hiroshige’s Print “The Plum Garden at Kameido”
This work examines variations in Utagawa Hiroshige’s “The Plum Garden at Kameido” by studying 82 surviving impressions of the print. Through comparative analysis, differences were observed across printings, driven by changes in woodblocks, block wear ...
Capucine Korenberg
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Locating and Relocating Cultural Engagements in a Transnational Age
How do the visual phenomena of Japan live in transnational communities today? How can they embrace international tropes, while retaining the distinctly local sensibilities of Yamato-e “Japanese picture”, cursive kana calligraphies, or ukiyo-e “floating ...
David Bell
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Cultura visual japonesa: a intersecção entre arte e o design gráfico.
Neste artigo, será abordada a relação e as influências estéticas entre as artes tradicionais do Japão e a comunicação visual contemporânea, em especial o design gráfico japonês.
Flávio Almeida
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Una lectura feminista de La Llama de Uemura Shoen
Uemura Shōen (1875-1949) fue una reconocida artista japonesa especialista en bijinga.[1] Su dedicación al arte se refleja en sus pinturas y en sus memorias.
Ana Galán Sanz
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Ten ukiyo-e woodblock prints from the collection of the Museo delle Culture in Lugano (Switzerland) were analyzed to identify the materials used in their production. These Japanese artworks were traditionally created with colors derived from minerals and
Laura Rampazzi +6 more
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Ukiyo-e Japanese woodblock prints were mass-produced in the Edo Period and early impressions of a given print are generally of higher quality and more sought after by connoisseurs than late impressions.
Capucine F. Korenberg +3 more
doaj +1 more source
Desentrañando "lo pornográfico"
El makura-e es un fenómeno que se origina y responde a la cultura popular-urbana que se desarrolla en el Japón a partir del siglo XVII, y que representaba tanto genitales como actos sexualmente explícitos, con una deliberada intención por parte de los ...
Amaury Garc\u00EDa Rodr\u00EDgez
doaj

