Results 21 to 30 of about 367 (180)
Gender and Artistic Creativity: The Perspectives and Experiences of Eminent Female Visual Artists
The Journal of Creative Behavior, Volume 57, Issue 4, Page 622-649, December 2023., 2023 ABSTRACT The historically male‐dominated discourse encompassing artistic creativity has often failed to acknowledge the voices and contributions of women. Female artists continue to face barriers in terms of accessing opportunities, attaining positions of prominence, and earning potential, in comparison with their male counterparts.
Katrina Ginis +2 more
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Docomomo Journal, 2022 The 2014 Venice Architecture Biennale is on display from June to November. This year’s edition is directed by Rem Koolhaas and is bringing major novelties.
Docomomo Journal
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Representing Bodies and Identities in Global Exhibitions
Annali di Ca’ Foscari: Serie Orientale, 2023 The paper focuses on Japanese female photographers in international art exhibitions. Until recently, Japan’s photographic field was predominantly male‑dominated.
Cavazzuti, Federica
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Haiti’s first national pavilion at the Venice Biennale: anachronism or illuminating opportunity? [PDF]
The Open Arts Journal, 2014 A barrage of criticism has been levelled against the Venice Biennale’s national pavilion structure in recent decades, chiefly accusing it of anachronism on account of its western biases. Yet the tide has begun to turn, making much of this criticism sound
Wendy Asquith
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A Moment to Celebrate? Art of the Caribbean at the Venice Biennale [PDF]
Journal of Curatorial Studies, 2020 Abstract In recent years, the sporadic presence of various Caribbean national pavilions at the Venice Biennale – Jamaica (2001), Haiti (2011), Bahamas (2013), Grenada (2015, 2017, 2019), Antigua and Barbuda (2017, 2019), Dominican Republic (2019) – has on each occasion been almost unanimously applauded as marking some sort of moment of ...
Asquith, Wendy, Wainwright, Leon
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OBOEThe 1950s were important years for the visibility of Turkish modern art and Turkey’s first participations in international biennials such as Venice, São Paolo, and Paris.
Esra Yıldız
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International Journal of Urban and Regional Research, EarlyView.Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
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The Discourse of Equality in Spanish Museums. How Social Media Communicate International Women's Day
Curator: The Museum Journal, EarlyView.ABSTRACT International Women's Day on March 8th is an arena for discourse in contemporary Spain, highlighted by intra‐feminist tension and ideological polarization. In their role as sociocultural mediators, museums construct narratives of gender equality.
Héctor Navarro‐Güere +2 more
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Altersstil novecentesco di Ettore Tito
Venezia Arti, 2022 The essay looks at the maturity of Ettore Tito, an artist of transition between the nineteenth-twentieth century, as an anti-Altersstil since in his case we are not dealing with discontinuities connected with a renewed attitude. His late international
Mazzanti, Anna
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INTRODUCTION: REFLECTIONS ON HISTORY AS PROPHECY, CONTINUING THE CONVERSATION
History and Theory, EarlyView.ABSTRACT In this essay, I provide brief introductions to the notion of “prophetic” historiography that I developed in Writing the Past, Inscribing the Future: History as Prophecy in Colonial Java (1995) and to the five essays of this forum that were written in dialogue with it. I argue that “history as prophecy” forms a practice of writing in which the
NANCY FLORIDA
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