Results 41 to 50 of about 367 (180)

Giovanni Boldini e la partecipazione degli artisti francesi alla prima Biennale di Venezia

Annali Online dell'Università di Ferrara. Sezione Lettere, 2014
By means of several documents, mostly preserved in the Archives of the Biennale (ASAC), the essay Giovanni Boldini and the French artists’ participation in the first Venice Biennale focus on the role played by the Italian artist Giovanni Boldini, born in
Leo Lecci
doaj   +1 more source

Cannibal Salvage Expenditure: The Subaltern Style of the Urban Peruvian Amazon

Antipode, Volume 58, Issue 2, March 2026.
ABSTRACT This paper explores the political ecology of subaltern existence at the urban cutting edge of our apocalyptic present, in the case of Iquitos in the Peruvian Amazon. Through an ethnographically surrealist montage of multiple elements across the themes of accumulation, architecture, and art, cannibal salvage expenditure emerges as a subversive ...
Japhy Wilson
wiley   +1 more source

Relics of Trees and Angels: J. M. Coetzee, Zbigniew Herbert, and Berlinde De Bruyckere at the Venice Biennale

Le Simplegadi
Belgian sculptor Berlinde De Bruyckere explores bodies in liminal states between life and death, fusing human, animal, and vegetal forms to expose their shared condition of suffering and decay.
Lucia Claudia Fiorella
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Breve storia dell'Ufficio Vendite de la Biennale di Venezia 1895-1972. Origini, funzionamento e declino

Ricerche di S/Confine, 2017
The Venice Biennale Sales Department represent an important example of commercial platform in Italy. Aiming to shed light on its role as a predecessor and pioneer, the paper offers an overview of how sales were managed, investigating the decades ...
Clarissa Ricci
doaj  

Pull out a chair. OFFICE in Venice

Museum, Materials and Discussions
Fifteen years ago, the architects of OFFICE Kersten Geers David Van Severen participated in two editions of the Venice Architecture Biennale, in 2008 in the Belgian pavilion, and in 2010 in the People Meet in Architecture exhibition, curated by Kazuyo ...
Christophe Van Gerrewey
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Alternative for Whom? Conceptually Exploring Meaningful Work for People With Disability in Alternative Forms of Work Organization

Business Ethics, the Environment &Responsibility, Volume 35, Issue 1, Page 432-443, January 2026.
ABSTRACT This theoretical paper explores the role of an ethics of embodiment perspective in promoting meaningful work for people with disabilities in Alternative Forms of Work Organization (AFWO). Starting with a consideration of the importance of meaningful work within a broader project of disability inclusion, the paper addresses four main challenges
Davide Bizjak, Domenico Napolitano, Luigi Maria Sicca   +2 more
wiley   +1 more source

Prints and Printmaking at the Venice Biennale, 1930s-1970s

OBOE, 2022
This article examines the exhibition of prints at the Venice Biennale between the 1930s and the early 1970s. Drawing upon recently discovered archival material, this essay argues that the prints displayed and awarded prizes during this period offer a ...
Jennifer Noonan
doaj  

Mapping the Nation, Building the Empire: The Development of Popular Maps and Atlases in Post‐Unification Italy (Ca. 1860–1915)

Geography Compass, Volume 20, Issue 1, January 2026.
ABSTRACT This article explores the development of Italian popular and educational cartography following the national unification of 1861. While Italy had a long‐standing cartographic tradition dating back to the Renaissance, this tradition had rapidly declined in the late modern age due to political fragmentation. The late 19th century saw a revival of
Matteo Proto
wiley   +1 more source

Towards resilient communities through prototypes for human-centered public spaces

Vitruvio: International Journal of Architectural Technology and Sustainability
MARCELLA DEL SIGNORE Architect, urbanist, educator, scholar, and the principal of X-Topia, a design-research practice that explores the intersection  of architecture and urbanism with technology and the public, social, cultural, and cognitive realm ...
L. Palmero, G. Bernardo
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Venezia ’900: il secolo delle mostre

Laboratoire Italien, 2014
For Venice, the 20th century was a century of exhibitions, since the “invention” of the Biennale in 1895. With the development of cultural tourism, art exhibitions have flourished.
Nico Stringa
doaj   +1 more source