Results 31 to 40 of about 367 (180)
Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2016 In 1935 the Venice Biennale organized an atypical exhibition commemorating its 40th anniversary. The “Mostra dei Quarant’anni” was mostly devoted to art from the Triveneto. Yet four rooms showed works by European artists who had exhibited in the Biennale,
Laura Moure Cecchini
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European Journal of Creative Practices in Cities and Landscapes, 2020 Today, we discuss “urban regeneration” often as the only way to revitalize those urban slices in the cities which has been forgotten or, somewhat, trivialized by consumer culture and tourism, which assault cities and tend to make them like an open-air ...
Alessandro Mosetti
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Encyclopedia of Relations: Observing through Embodiment and Movement Research
Metacritic Journal for Comparative Studies and Theory, 2023 The present paper proposes a (post- and) eco-critical reading of Alexandra Pirici’s ongoing action, Encyclopedia of Relations, staged at the Venice Biennale in 2022.
Daiana Șargan
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“Death in Venice” Biennale 2017
Research in Arts and Education, 2017 This short essay presents the contingent and dramatic genesis of the Anartist (Anarchist Artist). The Anartist’s praxis consists of subversive and disruptive interventions in urban space that produce uncoded dissensus in the sensible partitions of the global city.
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International Journal of Urban and Regional Research, Volume 50, Issue 4, Page 1053-1064, July 2026.Abstract In this essay I reveal contested common infrastructures in the interplay between vanishing public infrastructures in Venice and lack of care by governmental actors in a city with a shrinking number of inhabitants. I examine care and commodified public infrastructures in heritage cities facing mass tourism and climate change effects by zooming ...
Cornelia Dlabaja
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The Pattern of Artistic Nationalism: Mexico's Pavilion at the Venice Biennale in the 1950s
OBOEMexico’s Pavilion at the Venice Biennale first exhibited in 1950, followed by another in 1952 and a final iteration in 1958. These three national pavilions showcased the canon of modern Mexican art, emphasising Figuration and Realism through painting ...
Amelia Chávez Santiago
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Arts, 2020 It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an ...
Déirdre Kelly
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Curating the Unexpected: Stéphane Thidet's “Weeping Stones” Transformed During COVID‐19
Curator: The Museum Journal, Volume 69, Issue 3, Page 437-447, July 2026.ABSTRACT A monumental work by French artist Stéphane Thidet became the nexus for an unexpected interaction between an art installation and wildlife. “Weeping Stones,” which presents a desert‐like world, devoid of greenery, was featured in an exhibition we co‐curated at the Genia Schreiber University Gallery, Tel Aviv, Israel, in January 2020.
Tamar Mayer +3 more
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Revisiting Genograms: First Nations Wisdoms
Australian and New Zealand Journal of Family Therapy, Volume 47, Issue 2, June 2026.ABSTRACT Within family therapy training, genograms are taught as a core part of understanding and working with family relationships. Trainees also construct their own families of origin as a method of understanding the mechanics of the process and, more importantly, as a direct method of exploring the relational nature of psychological resources and ...
Banu Moloney +7 more
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A Review of the Unintended Consequences of Biochar in Various Applications
Advanced Energy and Sustainability Research, Volume 7, Issue 5, May 2026.Biochar is widely promoted as a sustainable material for applications ranging from soil amendment to energy storage and construction materials. This review critically examines the often‐overlooked and unintended consequences of biochar, including variability in properties, safety risks, and performance limitations.
Singaravelu Vivekanandhan +14 more
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