The Czech Vienna school and the art of the “small people" [PDF]
Journal of Art Historiography, 2020 The article focuses on the attitudes of the Vienna school followers to folk art and primarily examines the writing of the Czech art historians, Zdeněk Wirth and Antonín Matějček.
Marta Filipová
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The origins of Hans Sedlmayr’s methodology and its relation to his politics: a disregarded approach [PDF]
Journal of Art Historiography, 2023 The paper states that a main source of Sedlmayr’s methodological as well as political thinking has largely been overlooked. It argues that Viennese philosopher and sociologist Othmar Spann, along with his own main source, romanticist theologian Franz von
Nuria Jetter
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Everyday life at the Dvořák Seminar, on the basis of contemporary sources. Addenda to the history of the Vienna School of Art History [PDF]
Journal of Art Historiography, 2021 Discussing the relationship of Max Dvořák and Johannes Wilde on the previous study (János (Johannes) Wilde and Max Dvorák or, can we speak about the Budapest School of art history), I proposed – indirectly – the provocative thesis that “there is no ...
Csilla Markója
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Edith Hoffmann (1888-1945): the first successful female art historian in Hungary [PDF]
Journal of Art Historiography, 2023 Edith Hoffmann (1888-1945) was the first important and outstanding female art historian in Hungary. She received her PhD in medieval art in 1910 and worked at the Museum of Fine Arts in Budapest from 1913 until her tragically sudden death.
Anna Kopócsy
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Hans Sedlmayr, ‘History and the History of Art’, trans. Karl Johns [PDF]
Journal of Art Historiography, 2022 In the same year of 1934 as Julius von Schlosser celebrated the eightieth anniversary of the Österreichisches Institut für Geschichtsforschung with his essay ‘Die Wiener Schule der Kunstgeschichte’, Eberhard Hempel in his essay, ‘Ist ‘eine strenge ...
Karl Johns
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Identity built on myth. Fact and fiction in the foundational narrative of the ‘Cracow School of Art History’ and its relations to Vienna [PDF]
Journal of Art Historiography, 2021 Widely acknowledged as the creator of the first coherent model of art historical practice and theory in Poland, Marian Sokolowski played an essential role in shaping the identity of the discipline.
Magdalena Kunińska
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J v Schlosser, ‘Report on the Habilitation of Dr. Hans Sedlmayr’, trans. Karl Johns [PDF]
Journal of Art Historiography, 2022 A translation of Julius Schlosser’s assessment of Hans Sedlmayr’s application for Habilitation.
Karl Johns
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Max Dvořák, Wilhelm von Bode, and the Monuments of German Art [PDF]
Journal of Art Historiography, 2022 This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Journal of the Institute of Art History of the Slovak Academy of Sciences (2011).
Jonathan Blower
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The international spread of Asian and Islamic art histories: an intersectional approach to trajectories of the Vienna School (c. 1920 – 1970) [PDF]
Journal of Art Historiography, 2023 Strzygowski’s art historical institute in Vienna was unique not only as a resource for the study of ‘Oriental’ art, but also in its gender-balance: between 37% and 54% of the graduates were women.
Jo Ziebritzki
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Whither Strukturforschung? [PDF]
Journal of Art Historiography, 2023 This review presents a detailed overview of the main arguments in Ian Verstegen’s The New Vienna School of Art History. It critically engages with several of those arguments and explicates the drawbacks of Hans Sedlmayr’s historical analyses.
Erhan Tamur
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