Results 21 to 30 of about 128 (106)

L'esperienza artistica di Luchino Visconti in chiave performativa

Mantichora, 2020
Reading Luchino Visconti’s artistic experience by performative categories involves the need to consider the relationship between the texts and the public like an essential part of his poethic.
Mauro Giori
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O Sol de Meursault: A tradução intersemiótica do signo solar de O estrangeiro, de Albert Camus, para o cinema e os quadrinhos

TradTerm, 2023
O romance O Estrangeiro, publicado por Albert Camus em 1942, foi adaptado para o cinema uma única vez pelo cineasta italiano Luchino Visconti, em 1967. Em 2013, o artista argelino Jacques Ferrandez adaptou o texto de Camus para os quadrinhos.
Jáder Santana
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Urok, ale i smutek zmierzchu

Kwartalnik Filmowy, 2002
Recenzja książki Alicji Helman Urok zmierzchu. Filmy Luchina Viscontiego (2001). Książka Helman – jednej z niewątpliwie najlepszych znawczyń tak filmów Viscontiego, jak i teorii kina w Polsce – jest wnikliwym chronologicznym omówieniem i interpretacją ...
Andrzej Werner
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A failure in resilience: The corrupting influence of postwar Milan in Visconti’s Rocco and His Brothers

Journal of Design for Resilience in Architecture and Planning, 2022
The 1960 Italian film Rocco and His Brothers (Rocco e i suoi Fratelli) is one of the greatest exemplars of Italian post-war cinema. The film depicts the disintegration and deterritorialization of an immigrant family from Lucania, a southern Italian ...
Hamid Khalili, AnnMarie Brennan
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Oresti di paglia ed Elettre sepolte. Le suggestioni dell’antico in Vaghe stelle dell’Orsa… di Luchino Visconti

Lanx, 2012
Nel preparare Vaghe stelle dell’Orsa…, il regista Luchino Visconti e i suoi sceneggiatori hanno notoriamente tratto ispirazione dalla tragedia greca.
Mauro Giori
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Melodies of Desire and Darkness: Personifying Eros and Thanatos through Film Music in Morte a Venezia and La Pianiste

Türkiye Film Araştırmaları Dergisi, 2023
Sound and music, a significant issue in film studies, and associated phenomena, such as leitmotiv and diegetic/ non-diegetic music are essential notions as they serve many functions in the film experience of the audience.
Fatma Betül Ataş
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Ossessione de Luchino Visconti : sur les lieux du crime

Cahiers d’Études Romanes, 2007
Lorsque Gino rencontre Giovanna, dans une auberge isolée près d’une route nationale, un parfum de sensualité et de meurtre se répand dans l’atmosphère. Les deux marginaux en quête d’un bonheur illusoire se laissent transporter par leur passion, qui les ...
Magali Vogin
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Visconti wśród gwiazd

Kwartalnik Filmowy, 2002
Helman pisze o sposobie, w jaki Luchino Visconti dobierał aktorów do swoich filmów. Cenił aktorów i dawał im szanse na maksymalne rozwinięcie aktorskiego potencjału.
Alicja Helman
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Sicilian writers and cinema. Some notes, especially on ‘The Leopard’

Zibaldone: Estudios Italianos, 2020
After a first part dedicated to the relationship of four Sicilian writers with the cinema, this article focuses on some characteristics with which the cinematographic representation of Sicily takes shape in The Leopard, a film directed by Luchino ...
Domenica Elisa Cicala
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Izabella Teleżyńska. Szkic do biografii

Kwartalnik Filmowy, 2007
Patek zarysowuje biografię Izabelli Teleżyńskiej, polskiej aktorki uznanej za granicą, a w kraju raczej zapomnianą. Teleżyńska współpracowała z Kenem Russellem i Luchino Viscontim. Pod ich kierunkiem stworzyła swe najważniejsze role.
Artur Patek
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