Results 31 to 40 of about 13,632 (173)
O romance O Estrangeiro, publicado por Albert Camus em 1942, foi adaptado para o cinema uma única vez pelo cineasta italiano Luchino Visconti, em 1967. Em 2013, o artista argelino Jacques Ferrandez adaptou o texto de Camus para os quadrinhos.
Jáder Santana
doaj
Objetividad y narración: emergencias de la verdad [PDF]
El origen del neorrealismo italiano proviene de la resistencia cultural al fascismo y de su atracción por el modelo literario americano en la década de los treinta y cuarenta.
Ferrando García, Pablo
core +1 more source
Sound and music, a significant issue in film studies, and associated phenomena, such as leitmotiv and diegetic/ non-diegetic music are essential notions as they serve many functions in the film experience of the audience.
Fatma Betül Ataş
doaj +1 more source
Los planos subjetivos son un recurso poderoso cuando aparecen en su estructura canónica, pero también presentan un gran potencial estético cuando esta se altera para romper las expectativas del espectador.
Víctor Aertsen
semanticscholar +1 more source
Nel preparare Vaghe stelle dell’Orsa…, il regista Luchino Visconti e i suoi sceneggiatori hanno notoriamente tratto ispirazione dalla tragedia greca.
Mauro Giori
doaj +1 more source
The 1960 Italian film Rocco and His Brothers (Rocco e i suoi Fratelli) is one of the greatest exemplars of Italian post-war cinema. The film depicts the disintegration and deterritorialization of an immigrant family from Lucania, a southern Italian ...
Hamid Khalili, AnnMarie Brennan
doaj +1 more source
Una biografia per immagini [PDF]
Life and work of screen-writer Enrico Medioli (b. 1925), following the criteria of Dizionario Biografico degli Italiani (by Istituto Enciclopedia Italiana), tht is the top of Italian tools (I wrote several items for it)
Medioli, Francesca
core
Ossessione de Luchino Visconti : sur les lieux du crime
Lorsque Gino rencontre Giovanna, dans une auberge isolée près d’une route nationale, un parfum de sensualité et de meurtre se répand dans l’atmosphère. Les deux marginaux en quête d’un bonheur illusoire se laissent transporter par leur passion, qui les ...
Magali Vogin
doaj +1 more source
Helman pisze o sposobie, w jaki Luchino Visconti dobierał aktorów do swoich filmów. Cenił aktorów i dawał im szanse na maksymalne rozwinięcie aktorskiego potencjału.
Alicja Helman
doaj +1 more source
Sicilian writers and cinema. Some notes, especially on ‘The Leopard’
After a first part dedicated to the relationship of four Sicilian writers with the cinema, this article focuses on some characteristics with which the cinematographic representation of Sicily takes shape in The Leopard, a film directed by Luchino ...
Domenica Elisa Cicala
doaj

