Results 31 to 40 of about 13,632 (173)

O Sol de Meursault: A tradução intersemiótica do signo solar de O estrangeiro, de Albert Camus, para o cinema e os quadrinhos

open access: yesTradTerm, 2023
O romance O Estrangeiro, publicado por Albert Camus em 1942, foi adaptado para o cinema uma única vez pelo cineasta italiano Luchino Visconti, em 1967. Em 2013, o artista argelino Jacques Ferrandez adaptou o texto de Camus para os quadrinhos.
Jáder Santana
doaj  

Objetividad y narración: emergencias de la verdad [PDF]

open access: yes, 2009
El origen del neorrealismo italiano proviene de la resistencia cultural al fascismo y de su atracción por el modelo literario americano en la década de los treinta y cuarenta.
Ferrando García, Pablo
core   +1 more source

Melodies of Desire and Darkness: Personifying Eros and Thanatos through Film Music in Morte a Venezia and La Pianiste

open access: yesTürkiye Film Araştırmaları Dergisi, 2023
Sound and music, a significant issue in film studies, and associated phenomena, such as leitmotiv and diegetic/ non-diegetic music are essential notions as they serve many functions in the film experience of the audience.
Fatma Betül Ataş
doaj   +1 more source

Experiencia perceptiva y falsos planos subjetivos en El eclipse (Michelangelo Antonioni, 1962) y Muerte en Venecia (Luchino Visconti, 1971)

open access: yes, 2020
Los planos subjetivos son un recurso poderoso cuando aparecen en su estructura canónica, pero también presentan un gran potencial estético cuando esta se altera para romper las expectativas del espectador.
Víctor Aertsen
semanticscholar   +1 more source

Oresti di paglia ed Elettre sepolte. Le suggestioni dell’antico in Vaghe stelle dell’Orsa… di Luchino Visconti

open access: yesLanx, 2012
Nel preparare Vaghe stelle dell’Orsa…, il regista Luchino Visconti e i suoi sceneggiatori hanno notoriamente tratto ispirazione dalla tragedia greca.
Mauro Giori
doaj   +1 more source

A failure in resilience: The corrupting influence of postwar Milan in Visconti’s Rocco and His Brothers

open access: yesJournal of Design for Resilience in Architecture and Planning, 2022
The 1960 Italian film Rocco and His Brothers (Rocco e i suoi Fratelli) is one of the greatest exemplars of Italian post-war cinema. The film depicts the disintegration and deterritorialization of an immigrant family from Lucania, a southern Italian ...
Hamid Khalili, AnnMarie Brennan
doaj   +1 more source

Una biografia per immagini [PDF]

open access: yes, 2015
Life and work of screen-writer Enrico Medioli (b. 1925), following the criteria of Dizionario Biografico degli Italiani (by Istituto Enciclopedia Italiana), tht is the top of Italian tools (I wrote several items for it)
Medioli, Francesca
core  

Ossessione de Luchino Visconti : sur les lieux du crime

open access: yesCahiers d’Études Romanes, 2007
Lorsque Gino rencontre Giovanna, dans une auberge isolée près d’une route nationale, un parfum de sensualité et de meurtre se répand dans l’atmosphère. Les deux marginaux en quête d’un bonheur illusoire se laissent transporter par leur passion, qui les ...
Magali Vogin
doaj   +1 more source

Visconti wśród gwiazd

open access: yesKwartalnik Filmowy, 2002
Helman pisze o sposobie, w jaki Luchino Visconti dobierał aktorów do swoich filmów. Cenił aktorów i dawał im szanse na maksymalne rozwinięcie aktorskiego potencjału.
Alicja Helman
doaj   +1 more source

Sicilian writers and cinema. Some notes, especially on ‘The Leopard’

open access: yesZibaldone: Estudios Italianos, 2020
After a first part dedicated to the relationship of four Sicilian writers with the cinema, this article focuses on some characteristics with which the cinematographic representation of Sicily takes shape in The Leopard, a film directed by Luchino ...
Domenica Elisa Cicala
doaj  

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