Results 81 to 90 of about 603,389 (225)
Poetics of death - Sunday in V. Nabokov’s short story “Christmas”
The authors of this article consider the story of Nabokov "Christmas" and the writing style of Vladimir Vladimirovich as a whole.
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La sombra de Pushkin en la poesía de V. Nabokov
La sombra de Pushkin es uno de los símbolos claves de la poesía de Vladimir Nabokov. A los dos poetas les une no sólo el espacio de la literatura rusa sino también algo que la traspasa: el destino.
Alexei Filimonov
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Chemophobia and passion: why chemists should desire Marcel Proust. [PDF]
Chalupa R, Nesměrák K.
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A selection of criticism, arranged in chronological order of publication, devoted to the writings of Vladimir ...
Bloom, Harold 1930-2019
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Vladimir Nabokov, Mademoiselle O, éd. Julliard
Collin Françoise. Vladimir Nabokov, Mademoiselle O, éd. Julliard. In: Les Cahiers du GRIF, n°28, 1983. D'amour et de raison. pp.
Collin, Françoise
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Nabokov interprete nicciano di Dostoevskij: la mancata distanza e la malìa del patologico
L’articolo propone un’analisi filosofica della lezione universitaria di Vladimir Nabokov – stilata nel 1940-41 e tenuta negli USA – dedicata a Dostoevskij, dove l’autore di "Lolita" critica aspramente, sia pure in modo beffardo, l’arte letteraria ...
G. L. Paltrinieri
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Vladimir Nabokov, Púshkin og þýðingarnar
Ritgerð þessi fjallar um þýðingar rithöfundarins Vladimirs Nabokovs og hvers vegna hann þýddi verkið Jevgeníj Onegin nánast frá orði til orðs á þann hátt sem kallast bókstafleg þýðing.
Ingibjörg Elsa Björnsdóttir 1966-
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Lo spazio autobiografico di Vladimir Nabokov [PDF]
В статье рассматриваются взаимоотношения между вариантами набоковской автобиографии и автобиографическими мотивами в его прозе. Анализ трактовки упомянутой (данной) тематики в разных жанровых системах раскрывает главные черты набоковского ...
Elda Garetto
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Reflexive Narrative in Lolita by Vladimir Nabokov
What Nabokov's narrators produce is not a faithful record of the past but an imaginative invention, mediated by their point of view, their metafictional consciousness and their active manipulation of the story. There is, then, a difficulty in portraying
Asunción Barreras Gómez
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Different routes to liking: how readers arrive at narrative evaluations. [PDF]
Mak M, Faber M, Willems RM.
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