Results 161 to 170 of about 739 (200)

Using Principles of Jazz Improvisation for Vocal Majors: Focusing on Vocal Majors

The Korean Association for the Study of Popular Music, 2023
This study aims to develop a method of through singing that the principles of jazz improvisation, but focuses on improvisation as a tool for composition rather than to cultivate authentic jazz improvisational techniques. The lessons are divided into four phases: singing chord tones, singing chord tones over chord progressions, creating melodies over ...
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The Voice Essential: Exploring Oral Traditions in the Study of Vocal Improvisation

Music Therapy Perspectives, 2023
Abstract The voice—from the utility of oral traditions to the pedagogy of singing as performance—is essential to the human experience, yet its use of it has become the narrow purview of those privileged enough to study or make a career out of teaching or performing. In this article, the authors lend unique perspectives on the voice as an
John Mondanaro, Emily Nicholas-Curnutte
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Bocal: Vocal improvisation and performance

2022
Este artículo reflexiona sobre el trabajo Bocal presentado en noviembre de 2021 en la 34ª Bienal de São Paulo, por invitación del Festival Novas Frequências y la organización Cultura Artística. Es un dúo de improvisación vocal realizado por las artistas Inés Terra y Paola Ribeiro.
Brandes, Inés Terra, Silva, Paola Ribeiro da   +1 more
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A Model for Teaching Creative Vocal Jazz Improvisation

ArtsPraxis, 2004
Many music teachers consider improvisation to be a creative musical activity, without questioning whether student improvisations are really "creative." Others claim that improvisation skill is
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PATHWAYS TO VOCAL IMPROVISATION – to work in an artistic improvisational process with its possibilities and limitations

2022
In this artistic project, I search for pathways to vocal improvisation in solo and duo formats and in bigger constellations. The research question is: What characterizes approaches to free vocal improvisation, and what obstacles are there in the making?
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Vocal Free Improvisation

2011
As a vocalist, Casey Moir wants more than to just express what is written on the page or that which the harmony allows. She wants to discover every aspect of her voice to see how she can express her musicality on a deeper, more personal level. Some of the questions that helped Casey start her journey are: Why is musical expression so important to her ...
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The improvised musicality of belonging: Repetition and variation in mother–infant vocal interaction

2008
Abstract In their spontaneous interactions, mothers and infants build repertoires of communicative motifs based on repetition and variation of expressive units that carry meaning. This shared repertoire grows as it is performed, and brings a sense of pride in mutual understanding and a sense of belonging.
Maya Gratier, Gisèle Apter-Danon
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Improvising voices: practices, techniques and experiences of free vocal improvisation in the community

Research aims were achieved, thereby bringing a richer understanding of the experiences of engaging in free vocal improvisation, the techniques employed and the lineage of the style. Key insights include the potential of self-expression, the vulnerabilities of singing and improvising, the influence of different physical and perceptual environments, and
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Transcutaneous Teflon injection of the paralyzed vocal cord: an improvised technique.

The Journal of otolaryngology, 1993
We describe a new technique for the direct injection of Teflon into a paralyzed vocal cord for purposes of augmentation.
R, Feinmesser, K, Segal, M, Gertel
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Vocal improvisation using interactive music technology

Interactive Learning Environments, 2022
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