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Discussion of “Wagner Hypothesis in Beam and Column Theory”

Journal of the Engineering Mechanics Division, 1982
Jiří Studnička, Vladimír Křístek
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The Lehrer/Wagner theory of consensus and the zero weight problem

Synthese, 1985
Often a group of people need to find a consensus. One strategy for finding a consensus is to try to reach unanimous agreement by a process of exchange of information and rational argument. But where that fails we need to find a consensus without reaching unanimity. A special but important case occurs when the people in the group are making estimates of
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Wagner’s Law, Money and the Theory of Financial Crisis: Adolph Wagner’s Early Viennese Publications

2018
Adolph Wagner’s first engagement as professional economist was with the commercial academy in Vienna where he lived from 1858 to 1863. During this period Wagner published several books and many articles in journals. Wagner’s research interest is devoted to two main subjects: state finances and monetary policy.
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A Consideration of SLA as a Theory of Practice: A Response to Firth and Wagner

The Modern Language Journal, 1997
concerns and methodologies, they contend, has resulted in "distorted descriptions of and views on discourse, communication, and interpersonal meaning" (p. 288). I share many of the concerns they have raised in their paper, and although I have made similar arguments in some of my own work (see, e.g., Hall, 1993, 1995a), I have not done so with the same ...
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Richard Wagner: Theory and Theatre

Theatre Research International, 1992
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Unsteady lifting line theory using the Wagner function

2017
A method is presented to model the incompressible, attached, unsteady lift and moment acting on a thin three-dimensional wing in the time domain. The model is based on the combination of Wagner theory and lifting line theory trough the unsteady Kutta-Joukowsky theorem. The result is a set of closed form linear ordinary di erential equations that can be
Boutet, Johan, Dimitriadis, Grigorios
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‘Intentionally Random Creativity’: Wagner’s Theory of Fixed Improvisation

1991
Abstract Wagner’s intense preoccupation with Goethe’s Faust during the 1870s was connected not least with the fact that he believed he had found in it a dramatic form which, unlike the structured model of ancient Greek tragedy, was particularly well adapted to his idea of fixed improvisation.
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