Results 11 to 20 of about 98,440 (229)
Emilie Flygare-Carlén in Italy: Between women’s education and the market
Thanks to the increasing role of women’s readership, Swedish women writers in the second half of the Nineteenth century were both widely read at home and successfully translated abroad. This was also true for Italy, where novels written by women were by
Catia De Marco
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Digital storytelling prioritizes real-time connections, story creation, contextual adaptability, multi-media expression, and accessibility. This article discusses the unrecognized affordances and value of digital storytelling practices for teens living ...
Laura Shackelford +2 more
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Ar tebeaktualus ir ar tebemoteriškas „moterų rašymas“ | Old and New Ways of Thinking about Women’s Writing [PDF]
The article is a speculation on whether the category of women’s writing continues to be applicable and/or indeed operative. It is argued that the effectiveness of women’s writing lies in identifiable trends, mutual influences and its particular heritage.
Eglė Kačkutė
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Private Life and Collective Experience in Quebec: The Autobiographical Project of France Théoret
In her study of women's autobiographical writing, Carolyn Heilbrun contends that women's authorship has been most hindered by the lack of narrative structures adequate to the telling of women's experience.
Mary Jean Green
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Introduction: Reading Silence in the Long Nineteenth-Century Women’s Life Writing Archive
This introduction reflects on the nineteenth-century women’s life writing archive as a concept as well as a space. Is the long nineteenth-century women’s life writing archive a unique entity that stands apart from the wider archive?
Alexis Wolf
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A Female Fate in “Quare Name For A Boy”, by Claire Keegan
Questions regarding the female gender – especially those that entail women’s role in society – are better understood once analyzed within a historical background. In the Irish patriarchal perspective, women were idealized as wife and mothers; motherhood
Daniela Nicoletti Fávero
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"The light catches but doesn’t define them": Language in Alice Munro’s Dance of the Happy Shades
Alice Munro envisage son œuvre comme le résultat permanent d’un échec de la mise en mot et elle écrit des nouvelles qui sont constamment soumises à des processus de changements, qui se caractérisent par l’ellipse narrative et le palimpseste élusif.
Nicola Chadwick
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: Nasia Dionysiou is a remarkable young Cypriot writer. Her first short-story collection, Superfluous Beauty (2017), has won the National Short-Story Prize (Cyprus).
Demetra Demetriou
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The Holocaust Trauma and Autobiographism in Ida Fink’s and Charlotte Delbo’s Stories
The research is based on a study of short story collections by Israeli writer Ida Fink’s, All the Stories, and French writer Charlotte Delbo’s, Auschwitz and After, to reflect the impact of the Holocaust on autobiographical elements in their work.
Anastasiia Mikhieieva
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December 1989 and the concept of revolution in the prose of Romanian women writers
Whenever the topic of revolution is at stake nowadays, Romanian people from different walks of life usually think of December 1989. The tragic events that led to the regime change have left a permanent mark on many people’s lives.
Monica Manolachi
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