Results 51 to 60 of about 513 (176)
"Di Ufgabn Fun Yidishizm". Debates on Modern Yiddish Culture in Interwar Poland
“Di Ufgabn Fun Yidishizm”. Debates on Modern Yiddish Culture in Interwar Poland Modern secular Yiddish culture reached the peak of its development during the 1920s and Poland was at that time one of the main centres where Yiddish literature, theatre ...
Aleksandra Geller
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Abstract It is widely accepted that Henri Lefebvre's Marxism had anarchistic traits, but few have tried to specify what these traits are, or what they mean. This paper argues that Lefebvre's work should be seen as first and foremost an anti‐authoritarian theory that uses space, rather than a spatial theory.
Hamish Kallin
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Erving Goffman at 100: A Chameleon Seen as a Rorschach Test within a Kaleidoscope
The 100th anniversary of Erving Goffman's birth was in 2022. Drawing on his work, the Goffman archives, the secondary literature, and personal experiences with him and those in his university of Chicago cohort, I reflect on some implications of his work and life, and the inseparable issues of understanding society.
Gary T. Marx
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Uriel Weinreich’s atlas project the “Language and Culture Archive of Ashkenazic Jewry” (LCAAJ, 1959–1972) has created an unique dataset of audio recordings and transcripts of interviews with Yiddish speakers whose varieties represent the former dialects ...
Lea Schäfer
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Di case, lingue e finestre: Ida Kaminska, attrice yiddish
This paper aims to explore the artistic biography of Ida Kaminska – the leading figure of the Yiddish theatre in Poland in the 20th century – proposing a new metaphor for the theatrical experience of the Ashkenazi Jews and a different use of the audio ...
Giulia Randone
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Woody Allen is considered the heir to the greatest American burlesque artists, first of all the Marx Brothers, for he embodies a Jewish humor tradition, as they also do.
Frédérique Brisset
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Singing Off the Road to Life: The Threat of Sonic Delinquency in the Early Soviet Union
Abstract During the New Economic Policy, Bolshevik activists and the public alike shared a fixation on singing criminals and young delinquents. It saturated stories of criminality and moral or social reform, from newspapers to sociological literature and even one of the first Soviet sound films.
Elizabeth Abosch
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Zapożyczenia z mowy żydowskiej w narracji antysemickiej
Loanwords from Jewish speech in an anti-Semitic narrative Anti-Semites used a particular form of narrative that changed over time. Beginning with the 1880s the language of anti-Semitic propaganda adopted an increasingly aggressive tone.
Alina Cała
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Langue juive ou jargon : Les dénominations du yiddish en Pologne avant 1939
The complex attitude of Yiddish and Polish speakers, Jewish and non-Jewish, towards Yiddish, is reflected in the way the language is named. These designations evolve along the years, often following international – and particularly German – terminology ...
Natalia Krynicka
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Joseph Green, producent polskich filmów jidyszowych
Włodek Roman, Joseph Green, producent polskich filmów jidyszowych [Joseph Green, producer of Polish Yiddish-language films]. „Images” vol. XXVI, no 35. Poznań 2019. Adam Mickiewicz University Press. Pp. 77–101. ISSN 1731-450X. DOI 10.14746/i.2019.35.04.
Roman Włodek
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