Results 61 to 70 of about 304 (163)

An Unlikely Match: Modernism and Feminism in Lynda Benglis’s Contraband

Arts
In 1969, Lynda Benglis withdrew her large latex floor painting, Contraband, from the exhibition Anti-Illusion: Procedures/Materials. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual ...
Becky Bivens
doaj   +1 more source

From “The New Sculpture” to Garden Statuary: the suppression of Abstract Expressionist sculpture [PDF]

Journal of Art Historiography, 2015
In the 1940s, David Smith, David Hare, Herbert Ferber, Ibram Lassaw, Seymour Lipton and Theodore Roszak were part of a new generation of sculptors working in New York who used welding and other direct-metal techniques to make abstract sculpture.
Meghan Bissonnette
doaj  

Learning from “The East”: Mark Tobey’s “White Writing” and the Shaping of American Abstract Expressionism

Venezia Arti
This paper explores the theme of artistic “cross-pollination” through the lens of Mark Tobey (1890-1976)’s engagement with East Asian aesthetics and philosophies, significantly impacting post-World War II American abstract art.
Zhong, Phyllis
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‘Stilfarbe’ en ‘Farbkunst’. De (her)ontdekking van negentiende- en vroegtwintigste-eeuwse kleurtheorie in relatie tot kunstnijverheid, schilderkunst en architectuur

Bulletin KNOB, 2017
One hundred years after its emergence, the Amsterdam School still manages to fascinate people with its whimsical forms and bright colours. Although the frame of reference for the forms is known, there has been less interest in investigating the use of ...
Jürgen Stoye
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‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art

Tate Papers, 2017
David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about its influence on British artists.
James Finch
doaj  

“Authentic” Modern American Painting and a Pioneering Painting During the Transition to Postmodern Art: Barnett Newman’s Onement I

Sanat Tarihi Yıllığı
This study provides an overview of the development of an “authentic” American modern painting, focussing on Barnett Newman and his painting Onement I. It traces the evolution of American art with European influences, highlighting key events such as the ...
Ö. Eren Koyunoğlu
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Materiality and atmosphere. Two American beat artists painting Europe

Cogent Arts & Humanities, 2019
The article discusses how European painting heavily influenced two American Beat painters in the post war years. Post-war American painting was often concerned with breaking away from traditional iconography and style, but Jay DeFeo and Joan Brown chose ...
Frida Forsgren
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Scharoun. From refined composition to violent ugliness

Cuadernos de Proyectos Arquitectónicos, 2017
It could be said that the first approach by young Hans Scharoun to expressionism implied the search of an aesthetic and formal alternative both to the academic and classical tradition and to its modern sequel, the “New Objectivity “.
Antón Capitel
doaj  

The technical diversity of postmodern arts and their representation In students' products

الاكاديمي
Artistic trends, from their first beginnings up to post-modernism, are considered a turning point towards change, diversity and innovation in the field of artistic production. This is what helped the artist to create different works of art, depending on
Adhra eabd alrahim aslam akram, Muhammed Abdullah Ghaidan   +1 more
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Big Transfer Learning for Fine Art Classification. [PDF]

Comput Intell Neurosci, 2022
Zhao W, Jiang W, Qiu X.
europepmc   +1 more source