Results 1 to 10 of about 1,342 (105)
‘Essere, o non essere’ in scena. Sull’orma creativa di Adelaide Ristori [PDF]
From an original perspective, this essay delves into the significance of Adelaide Ristori’s entrances and exits from the stage, the value that the Grande Attrice used to attribute to such crucial scenic moments and her expectations of national and ...
Teresa Megale
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This essay publishes the translation of Signe Hebbe’s letter to Wendela Hebbe, written on 20 February 1856, as well as his remarks on Adelaide Ristori, published in «Öresundsposten», 1st November 1879, pp. 4-5.
Signe Hebbe, Giovanni Za
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La composizione di ‘Camma’ nel carteggio tra Adelaide Ristori, Giuseppe Montanelli e Lauretta Cipriani Parra [PDF]
Among Adelaide Ristori’s great successes, Camma, premiered in Paris on April 23rd, 1857, was written for her by Giuseppe Montanelli. From the perspective of a dramaturgical investigation into how a Grande Attrice chose and construct her repertoire, the ...
Giacomo Della Ferrera
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Signe Hebbe. Un’amicizia svedese di Adelaide Ristori
Signe Hebbe (1837-1925) was one of the most prominent Swedish actresses and singers. Since her stays in Paris, in the mid-1960s, having a deep admiration for Adelaide Ristori, she became her friend and pupil.
Franco Perrelli
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Iconografia e interpretazioni: ‘Maria Stuarda’ di Adelaide Ristori
The article examines some iconographic sources (two portraits, some photographs, a caricature) that can be traced back to Friedrich Schiller’s interpretation of Maria Stuarda, a famous pièce de resistance of Adelaide Ristori.
Francesca Simoncini
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Celebrità e metateatro: ‘Adriana Lecouvreur’ per Adelaide Ristori
In the first half of the 18th century, Adrienne Lecouvreur, diva of the Comédie-Française, brought about a profound change in the French recitative style.
Michela Zaccaria
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For a long time, studies on Adelaide Ristori have been interested in her life, her success and her importance for the Italian theater. On the other hand, the musical interests of the noblewoman were less studied; however, music had a fundamental role in ...
Davide Mingozzi
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Le ‘maestre’ di Adelaide Ristori: tracce di una trasmissione generazionale del mestiere
This paper proposes a comparison between Adelaide Ristori and the actresses of the previous generation searching for traces of an unwritten transmission of the theatrical craft.
Giulia Bravi
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Adelaide Ristori dalle ‘cartes de visite’ alla stampa internazionale (1854-1864)
Adelaide Ristori was among the first actresses to build an iconic image of herself, which spread internationally since her Parisian debut in 1855.
Cristina Tosetto
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Studio per due attrici: Adelaide Ristori ed Eleonora Duse
This essay investigates the relationship between two outstanding actresses, Adelaide Ristori and Eleonora Duse. They are the reference points for two opposing generations, and very different models in terms of art, repertoire choices, leadership.
Mirella Schino
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