The Open Constructed Public Sphere: Aeschylus’ The Suppliant Women in a Version by David Greig [PDF]
Humanities, 2020 This article looks at the ‘public’ ‘place’ of drama in Britain at present by offering an analysis of a contemporary version of an ancient Greek play by Aeschylus, entitled The Suppliant Women, written by David Greig, directed by ...
Verónica Rodríguez
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Reception of the values of the Aeschylus drama and mnemonic imprints by ancient tragedy spectators. [PDF]
Open Res Eur, 2022 Mastrothanasis K, Grammatas T.
europepmc +3 more sources
Sommerstein. Aeschylus, Suppliants
Lexis, 2020 Review of Aeschylus (2019). Suppliants. Edited by Alan H. Sommerstein. Cambridge: Cambridge University Press, 404 pp.
Garvie, Alex F.
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Eva Palmer-Sikelianos Dances Aeschylus: The Politics of Historical Reenactment when Staging the Rites of the Past [PDF]
, 2016 Eva Palmer-Sikelianos (1874–1952), along with her husband, the poet Angehlos Sikelianos, founded the first modern Delphic Festival in 1927 in an effort to revive the Ancient Greek rites that took place on that spot over 2,500 years before.
Samuel N. Dorf
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Il cacciatore e la preda. Perseo, Medusa e la metafora della caccia alla luce di un passo delle Forcidi di Eschilo [PDF]
Otium, 2016 Aeschylus, in a fragmentary passage of his lost tragedy Phorkides, describes the moment in which Perseus «like a boar (aschedoros)» goes in the gorgonian cavern.
Marco Giuman
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Alberto Caeiro, o abominável S. Francisco de Assis, o efeito Reis e um livro reencontrado de Albert Dauzat [PDF]
Pessoa Plural, 2022 A atenta leitura dos documentos do espólio pessoano que abordam a temática do sentimento da Natureza abre novas perspetivas para um conhecimento mais abrangente do pensamento de Fernando Pessoa por altura da escrita de O Guardador de Rebanhos e para ...
Miraglia, Gianluca
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The shield as pedagogical tool in Aeschylus’ Seven Against Thebes [PDF]
Hypothekai, 2020 The article analyzes the descriptions of warriors in Aeschylus’s tragedy Seven against Thebes that are given in the “shield scene” and determines the pedagogical dimension of this tragedy. Aeschylus pays special attention to the decoration of the shields
Victoria Pichugina
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Dionysus Chooses Aeschylus [PDF]
Hypothekai, 2018 This article is devoted to the analysis of the early stage work of one of the first tragedians of the Greek theatre. Aeschylus is called the father of tragedy since he transformed the original theatrical performance with one actor and ...
Larisa Poplavskaya
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Curse and Dream in Aeschylus’ Septem
Greek, Roman, and Byzantine Studies, 2003 [site under construction]
Anne Burnett
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Mitul Electrei în reprezentări scenice / Electra’s Myth in Theatre Representations [PDF]
Incursiuni în imaginar, 2016 In time, Electra’s myth inspired many authors, resulting in remarkable literary works, adapting the “story” according to the patterns or the spirit of age.
Gabriela Chiciudean
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