Results 1 to 10 of about 392 (163)
Alberto Caeiro, o abominável S. Francisco de Assis, o efeito Reis e um livro reencontrado de Albert Dauzat [PDF]
Pessoa Plural, 2022 A atenta leitura dos documentos do espólio pessoano que abordam a temática do sentimento da Natureza abre novas perspetivas para um conhecimento mais abrangente do pensamento de Fernando Pessoa por altura da escrita de O Guardador de Rebanhos e para ...
Miraglia, Gianluca
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The shield as pedagogical tool in Aeschylus’ Seven Against Thebes [PDF]
Hypothekai, 2020 The article analyzes the descriptions of warriors in Aeschylus’s tragedy Seven against Thebes that are given in the “shield scene” and determines the pedagogical dimension of this tragedy. Aeschylus pays special attention to the decoration of the shields
Victoria Pichugina
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Dionysus Chooses Aeschylus [PDF]
Hypothekai, 2018 This article is devoted to the analysis of the early stage work of one of the first tragedians of the Greek theatre. Aeschylus is called the father of tragedy since he transformed the original theatrical performance with one actor and ...
Larisa Poplavskaya
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Mitul Electrei în reprezentări scenice / Electra’s Myth in Theatre Representations [PDF]
Incursiuni în imaginar, 2016 In time, Electra’s myth inspired many authors, resulting in remarkable literary works, adapting the “story” according to the patterns or the spirit of age.
Gabriela Chiciudean
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Hamartia: The Philosophical Feature of Tragedy [PDF]
حکمت و فلسفه, 2008 According to the Aristotelian tradition, a tragedy consists of several elements: mythos, character, diction, reflection, orchestra, and sound. Aristotle recognized three parts of the mythos in a tragedy: peripeteia, anagnorisis, and catastrophe.
alireza mohammadi barchani
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Pasolini’s Greeks and the Irrational
Clotho, 2022 This article traces Pasolini’s engagement with Aeschylus Oresteia and the concept of the “irrational,” through which he sought to excavate patterns of ideological resistance in the classical past.
Claudio Sansone
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Fear, Self-Pity, and War in Fifth-Century Athenian Tragedy: Ethos and Education in a Warrior Society [PDF]
Close Encounters in War Journal, 2021 In Greek culture, the natural connection between war and fear was acknowledged since Homer. However, during the Hellenic era (507-323 BC), war began to be represented on the stage in tragedies, in which the connection between war and fear included the ...
Maria Arpaia
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The Open Constructed Public Sphere: Aeschylus’ The Suppliant Women in a Version by David Greig
Humanities, 2020 This article looks at the ‘public’ ‘place’ of drama in Britain at present by offering an analysis of a contemporary version of an ancient Greek play by Aeschylus, entitled The Suppliant Women, written by David Greig, directed by ...
Verónica Rodríguez
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Euripides and the Origins of Democratic «Anarchia»
Erga-Logoi, 2019 In this essay, I argue that the terms anarchia and anarchos had become associated with critiques of democracy before the final quarter of the fifth century BCE.
Jonah F. Radding
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Mantica della madre, profeta del padre
Lexis, 2022 This paper aims to discuss the genealogical contents and structure of the opening verses of Aeschylus’ Eumenides. Considering genealogies as mythical digressions ideologically orientated, I will outline those elements that do not appear elsewhere in ...
Wyburgh, Sonny
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