Results 21 to 30 of about 13,602 (188)
El análisis se aproxima a la filmografía de Michelangelo Antonioni, principalmente de las películas “ Blow-up” y “Reportero de Profesión”, con la arquitectura contemporánea través de pensamiento del director y de los arquitectos del Equipo X. Los colores
Cláudio Furtado
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Bialikiewicz bada fenomen aktorstwa Moniki Vitti w kontekście ról, które zagrała w filmach Antonioniego. Dodaje, że Antonioni traktował aktora jako znak wypełniający przestrzeń stworzoną przez reżysera.
Barbara Bialikiewicz
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MinK: A conceptual framework for individual knowledge assessment in organizational context
Abstract Effectual knowledge management (KM) entails knowledge assessment capability which enables organizations to identify knowledge holders and hence optimize human capital allocation and retention. The purpose of this paper is to present a new framework, referred to as MinK, that empowers organizations in appraising individual knowledge by ...
Mohamed AF Ragab, Amr Arisha
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This paper proposes the effect of contrast‐enhanced ultrasound combined with real‐time elastic imaging technology in the differential diagnosis of salivary gland tumors. 200 patients were selected, including 120 males and 60 females. The age ranged from 9 to 83 years, with an average of 55.4 years.
Hong Chen +3 more
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Marco Ferreri: The task of cinema and the end of the world [PDF]
This is the author's accepted manuscript. The final published article is available from the link below. Copyright @ 2013 Intellect Books.This article identifies Marco Ferreri's original contribution to cinema as a gesture aimed at exposing the 'end of ...
Rugo, D
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Strategie del meta-discorso filmico in Tsai Ming-liang e Antonioni
Nello scritto si stabilisce un confronto tra la cinematografia di Tsai Ming-liang e alcuni aspetti della produzione filmica di M. Antonioni. Il magistero del regista ferrarese è normalmente considerato dalla critica come fondamentale per l’opera del ...
Donato Cannone
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Inventaire des plateaux de Michelangelo Antonioni
This paper presents an inventory that organizes data on the still photographers of Michelangelo Antonioni’s films of the 1950s and 1960s, from L’Avventura to Blow-Up.
Stella Scabelli
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Dalla Cina con rigore. Chung Kuo di Michelangelo Antonioni (molti?) anni dopo
Dalla Cina con rigore.
Paolo Caponi
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¿Está dirigido el 'Arte Nuevo' a una minoría especialmente dotada? El caso de Michelangelo Antonioni
El artículo trata de reflexionar sobre aquellos cambios que se producen en la recepción de los filmes de Michelangelo Antonioni por parte de un espectador al que, como receptor de películas hollywoodienses, principalmente, se le exige con este otro cine,
Ana MELENDO CRUZ
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L’Avventura: Emotions, engagement and inconclusiveness of an experimental plot
This article examines Michelangelo Antonioni’s L’Avventura offering a new discussion of its narrative value, exploring the role of emotions and cognition in narrative, and their interaction.
Héctor J. Pérez, Fernando Canet
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