Results 11 to 20 of about 5,418 (217)

A Model for Reading Comedy Using Hegel’s Concept of SelfConsciousness

Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 2023
This study develops a dramaturgical model for reading comedy texts based on the concept of self-consciousness. After explaining the acceptance of consciousness as expressed in Hegel’s (1807) Phenomenology of Spirit, the subject is then shown to also an ...
Nazım Sarıkaya
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AGAINST A DIDACTIC READING OF THE PARABASIS IN ARISTOPHANES’ FROGS

Концепт: философия, религия, культура, 2019
Given its topicality, it is tempting to suppose that one may find important insights into the politics of late 5th C. Athens in Aristophanes’ comedies.
N. D. Smith
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Free speech or obedient speech? Revisiting liberal speech norms in ‘closed contexts’

Area, Volume 55, Issue 4, Page 489-495, December 2023., 2023
Abstract Qualitative researchers can usually discern the difference between obedient speech and fearless, critical, or oppositional speech. Yet the context in which speech acts are performed is necessarily uneven, such that the same people who might speak freely in one place are often quick to engage in obedient speech in another.
Natalie Koch
wiley   +1 more source

Pericles' character in Old Attic comedy

Ученые записки Казанского университета: Серия Гуманитарные науки, 2020
The paper discusses Aristophanes’ plays and the surviving fragments of other Old Attic comedy authors as one of the most important sources on Pericles’ biography. The main themes of comic invectives at Pericles were analyzed.
O.A. Rykantsova
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The Hellenic World and the Barbarian World in the Ideology of Panhellenism [PDF]

Hypothekai
According to a widely accepted scholarly view, Panhellenism was the first pan-ideology (from the Ancient Greek word Πάν, meaning “all,” “everything,” “everyone”) aimed at forming a shared supranational identity. It was in the works of Greek think-ers and
Vladimir A. BOLDIN
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Audience Addresses as a Technique in the Prologues of Aristophanes’ Comedies [PDF]

Studia Litterarum
This article examines Aristophanes’ use of addressing or mentioning the audience in the prologues of comedies. This technique is found in different parts of comedy but its use in the prologues of comedies has not been properly studied.
Ekaterina N. Buzurnyuk
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Ritratto dell’artista da effeminato. Agatone e Zambinella

Storia delle Donne, 2021
The essay starts from the figure of the poet-gynnis, Agatone, with whom Aristophanes opens the Thesmophoriazusae’s seemingly conventional plot, that heightened the men/women historically binary opposition in the Athenian polis.
Anna Beltrametti
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Cuisine et sexualité chez Aristophane

Kentron, 2003
In his contribution to the suggestive title “Cooking and sexuality in Aristophanes” Pascal Thiercy review some passages of Aristophanes’ comedies in which the objects or places that allow the cooking delights can be interpreted,
Pascal Thiercy
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Die siening van die Griekse tragedie by Aristophanes

Literator, 1992
This article attempts to prove that the literary contest in Aristophanes’ Frogs is important as a reflection of contemporary literary discussions. A survey is given of the different aspects of Greek tragedy which are discussed and of the various and ...
P. J. Conradie
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Aristophane sur la scène grecque moderne

Cahiers Balkaniques, 2015
The article focuses on three Greek directors, who have par excellence contributed –each one by his own esthetic and ideological means–, to the consecration and consolidation of Aristophanes’ oeuvre on modern Greek stage: Karolos Koun, Alexis Solomos and ...
Kaiti Diamantakou‑Agathou
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