Results 21 to 30 of about 5,418 (217)
Revista de Estudios Clásicos, 2016 Resumen Es generalmente aceptada la tesis de que Eurípides es el antecesor dramático directo de Menandro. Esta tesis supone además que Aristófanes, a pesar de ser el autor de comedia más antiguo que se conserva, tiene poca relación con la tradición ...
Álvaro Andrés Sáenz Alfonso
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The European Journal of Humour Research, 2013 The paper explores the reception of Aristophanes’ first extant comedy The Acharnians (425 BC) in post-war Greek modern theatre by the two government-sponsored theatre institutions of Greece, namely the National Theatre of Greece (NTG) and the National ...
Vicky Manteli
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, 1880 des Aristophanes ; Aus dem griechischen übersetzt und erläutert von E. SchinckMit Exlibris von Conrad Ferdinand Meyer Exemplar der Zentralbibliothek Zürich, C.F.-Meyer-BibliothekAus dem Vorbesitz von Conrad Ferdinand Meyer Exemplar der Zentralbibliothek ...
Aristophanes
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A proposito dell'attore Callipide (Ar. fr. 490 K.-A.)
Annali Online dell'Università di Ferrara. Sezione Lettere, 2010 The Aristophanes' Skenas katalambanousai fr. 490 K.-A. presents some problems related to the constitutio textus and the persona loquens. The present paper provides a reading of the text according to Aristophanes' usus and a different interpretation of ...
Cinzia Boccaccini
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Aristophanes and the French Translations of Anne Dacier
, 2016 Anne Dacier (née Le Fèvre) produced a French translation of Clouds and Plutus in 1684 which ensured that the vernacular reader could read two complete plays of Aristophanes in French for the first time.
Wyles, Rosie
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Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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Aristophanes and Euripides: A Palimpsestuous Relationship [PDF]
, 2012 Aristophanes allows Euripides to interrupt constantly. In Athenian comedy of the fifth century they are on stage together, both literally and figuratively.
May, Gina
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The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Renaissance Studies, EarlyView.Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
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The Southern Journal of Philosophy, EarlyView.Abstract This article reinterprets Levinas's account of ethical subjectivity by centering the temporality of the pas encore (“not yet”) and drawing on new materials in Œuvres complètes. I argue that, in Totality and Infinity, eros and ethics are internally continuous: eros generates a responsible not yet of time, secured by fecundity and oriented to ...
Huaiyuan Zhang
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Philosophy and Phenomenological Research, Volume 112, Issue 3, Page 641-651, May 2026.ABSTRACT We are social animals that seek to live a life that is, in some sense, shared with others. But what exactly do we want in wanting to live a shared life? First, I seek to show that this question is not as straightforward as it might initially appear. Second, I present an answer to this question, which makes reference to the thought that we have
James Laing
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