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A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song

Music Analysis, Volume 44, Issue 2, Page 246-289, July 2025.
ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
wiley   +1 more source

A Survivor From Warsaw, November 21, 2011 [PDF]

, 2011
This is the concert program of the A Survivor From Warsaw performance on Monday, November 21, 2011 at 8:00 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts. Works performed were A Survivor from Warsaw, op.
School of Music, Boston University
core  

A arte pública entre património e ideário. O itinerário artístico de Siah Armajani

Revista Lusófona de Estudos Culturais, 2020
Siah Armajani (1939-) é um escultor de origem iraniana que ainda muito jovem emigrou para os EUA, onde empreendeu uma carreira artística, sediada em Minneapolis, no Minnesota.
José Abreu
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Concert of contemporary works, York Late Music Concert Series, 7 March 2015, with premieres of new works by Steve Crowther and Edward Caine (Etude: Resonance) [PDF]

, 2015
Part of a wider concert with works of James Dillon, Judith Weir, Arnold Schoenberg, Robert Schumann, Gyorgy Kurtág, Gyorgy ...
Pace, I.
core  

Por um desemaranhamento do contraponto

Opus, 2018
A diversidade das propostas e soluções pedagógicas agrupadas em torno do que se veio a denominar contraponto no ensino musical não elimina um risco comum a grande parte delas, sempre que a falta de clareza sobre um sistema de referência bem definido ...
Mauricio De Bonis
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Faculty recital: Andrés Díaz, October 29, 1995 [PDF]

, 1995
This is the concert program of the Faculty Recital: Andrés Díaz performance on Sunday, October 29, 1995 at 3:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were String Sextet, Op.
School of Music, Boston University
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Unalienated labor as cooperative self‐determination: Aristotle and Marx

European Journal of Philosophy, Volume 33, Issue 1, Page 29-55, March 2025.
Abstract In this paper, I offer an original interpretation of Marx's conception of unalienated labor, which I frame as a response to Aristotle's view of work, or technē. Both Aristotle and Marx share a particular conception of freedom as “normative self‐determination,” according to which an activity is free insofar as it does not depend for its value ...
Kyle Scott
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Boston University Symphony Orchestra, Tuesday, March 23, 1999 [PDF]

, 1999
This is the concert program of the Boston University Symphony Orchestra performance on Tuesday, March 23, 1999 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Variations for Orchestra, Op.
School of Music, Boston University
core  

A crítica que não ouve

Musica Theorica
Neste trabalho, pretendemos avaliar a recepção, crítica e circulação da obra de Arnold Schoenberg no Brasil ao longo da década de 1930. A partir da análise de comentários publicados em periódicos no Rio de Janeiro, então Capital Federal, verificamos que,
Gabriel Fernandes Xavier
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Repetition as a principle of mythological thinking and music of the twentieth century

Musicologica Brunensia, 2017
Art of the 20th century is characterized by the rise of the mythical thought and transformation of the myth into an artistic creativity. In music we can encounter manifestations of conscious and unconscious neo-mythologism in various forms.
David Kozel
doaj   +1 more source