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Healthy lifestyle change and all-cause and cancer mortality in the European Prospective Investigation into Cancer and Nutrition cohort. [PDF]
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Dyspnea as a marker of prognosis in immunocompromised patients with acute respiratory failure. [PDF]
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The Tulane Drama Review, 1963
With the intransigence of an innovator who feels himself inspired, Antonin Artaud, by an imperious gesture of the pen, by an imperious gesture of the mind, wrote off about two thousand three hundred years of theatre.Of Western theatre.We are in the early thirties.
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With the intransigence of an innovator who feels himself inspired, Antonin Artaud, by an imperious gesture of the pen, by an imperious gesture of the mind, wrote off about two thousand three hundred years of theatre.Of Western theatre.We are in the early thirties.
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Deleuze Studies, 2016
In the later Artaud's perception of existence as perpetual cosmological combat, one of his principal weapons is the scream. His deployment of this scream matures in the 1946–8 radio recordings, especially in To Have Done with the Judgement of God, which he saw as a successful ‘mini-model’ of the Theatre of Cruelty.
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In the later Artaud's perception of existence as perpetual cosmological combat, one of his principal weapons is the scream. His deployment of this scream matures in the 1946–8 radio recordings, especially in To Have Done with the Judgement of God, which he saw as a successful ‘mini-model’ of the Theatre of Cruelty.
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2000
Antonin Artaud (1896–1948) is an artwork of the French theatre who has influenced other artworks. The periods concerned are, respectively, between the first and second major European wars of the twentieth century when Artaud was active, largely in Paris, and from 1960 onwards, when his influence has been active.
Jane Milling, Graham Ley
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Antonin Artaud (1896–1948) is an artwork of the French theatre who has influenced other artworks. The periods concerned are, respectively, between the first and second major European wars of the twentieth century when Artaud was active, largely in Paris, and from 1960 onwards, when his influence has been active.
Jane Milling, Graham Ley
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2014
This chapter examines Artaud on film in two ways: Artaud as a writer, perhaps one could even go as far as to say a theorist, of cinema in the 1920s, and Artaud the actor as a gesturing body visible on screen. For somebody who wrote so persistently about his own corporeality, it seems pertinent to discuss the very physicality of this body as it appears ...
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This chapter examines Artaud on film in two ways: Artaud as a writer, perhaps one could even go as far as to say a theorist, of cinema in the 1920s, and Artaud the actor as a gesturing body visible on screen. For somebody who wrote so persistently about his own corporeality, it seems pertinent to discuss the very physicality of this body as it appears ...
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1989
Artaud’s cherished dream was to found a new kind of theatre in France that would not be an artistic spectacle, but a communion between spectators and actors. This volume contains all of Artaud’s key writings on theatre and cinema from 1921 to his death in 1948, together with a definitive commentary on the key texts of this 20th-century theatre ...
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Artaud’s cherished dream was to found a new kind of theatre in France that would not be an artistic spectacle, but a communion between spectators and actors. This volume contains all of Artaud’s key writings on theatre and cinema from 1921 to his death in 1948, together with a definitive commentary on the key texts of this 20th-century theatre ...
openaire +1 more source