Results 61 to 70 of about 634,399 (302)

Museum Audio Descriptions vs. General Audio Guides

open access: yesJournal of Audiovisual Translation, 2023
The question of objectivity vs. subjectivity in audio description (AD) is still open and unresolved, even more so when considering less researched AD sub-genres, such as museum ADs. While sparse guidelines for describing artworks and cultural artefacts tend to favour neutrality, no clear consensus exists, and the limits of a factual style have already ...
openaire   +1 more source

Unilateral Ankle‐Foot Exoneuromusculoskeleton with Balance‐Sensing Feedback for Self‐Help Telerehabilitation after Stroke

open access: yesAdvanced Robotics Research, EarlyView.
This study introduces a hybrid robot that integrates mechanical assistance by musculoskeletons (i.e., soft pneumatic muscle with rigid exoskeletal extensions), neuromuscular electrical stimulation, and vibrotactile feedback in a lightweight wearable mechatronic complex applicable to the paretic ankle–foot poststroke for gait restoration. The system can
Fuqiang Ye   +16 more
wiley   +1 more source

Audio description as an accessibility enhancer [PDF]

open access: yes, 2012
Audio description for the blind and visually-impaired has been around since people have described what is seen. Throughout time, it has evolved and developed in different contexts, starting with daily life, moving into the cinema and television, then ...
Martins, Cláudia
core  

Evolution of Music by Public Choice [PDF]

open access: yes, 2012
Music evolves as composers, performers, and consumers favor some musical variants over others. To investigate the role of consumer selection, we constructed a Darwinian music engine consisting of a population of short audio loops that sexually reproduce ...
Adami   +9 more
core   +1 more source

Liquid Metal Sensors for Soft Robots

open access: yesAdvanced Robotics Research, EarlyView.
This review thoroughly reviews liquid metal sensors in soft robots. Their unique material properties like high conductivity and good biocompatibility are analyzed. Working principles are classified, and applications in environmental perception, motion detection, and human—robot interaction are introduced.
Qi Zhang   +7 more
wiley   +1 more source

“Guidance but not the ultimate commandment”: Pros and Cons of Using Pivot Templates in the Audio Description Production Workflow

open access: yesJoSTrans: The Journal of Specialised Translation
The need for audio-described audiovisual content is mainly growing due to statutory accessibility required in many countries. Regrettably, despite the popular and legal demand for audio description, broadcasters and producers perceive audio description
Anna Jankowska
doaj   +1 more source

Audio description and audio subtitling in a dubbing country: Case studies [PDF]

open access: yes, 2012
In many European countries foreign films are not dubbed but subtitled. An audio describer has to include all the written subtitles in his script and try to make the description fit in between.
Benecke, Bernd
core   +1 more source

3D Printing of Soft Robotic Systems: Advances in Fabrication Strategies and Future Trends

open access: yesAdvanced Robotics Research, EarlyView.
Collectively, this review systematically examines 3D‐printed soft robotics, encompassing material selections, function integration, and manufacturing methodologies. Meanwhile, fabrication strategies are analyzed in order of increasing complexity, highlighting persistent challenges with proposed solutions.
Changjiang Liu   +5 more
wiley   +1 more source

Audio Description for Voiced‑over Films: the Case Study of Big Fish

open access: yesMiędzy Oryginałem a Przekładem, 2014
Audiodeskrypcja do filmu zagranicznego z tłumaczeniem w wersji lektorskiej na przykładzie filmu pt. Duża ryba Audiodeskrypcja (AD) rozwija się w Polsce od 2006 r.
Anna Jankowska   +2 more
doaj   +1 more source

Vibrotactile Captioning of Musical Effects in Audio-Visual Media as an Alternative for Deaf and Hard of Hearing People: An EEG Study

open access: yesIEEE Access, 2020
Standard captioning for the deaf and hard of hearing people cannot transmit the emotional information that music provides in support of the narrative in audio-visual media.
Maria J. Lucia   +6 more
doaj   +1 more source

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