Results 11 to 20 of about 9,000 (233)
Patrząc w przeszłość, patrząc w przyszłość – 10 lat audiodeskrypcji filmowej w Polsce
Looking into the Past, Looking into the Future – 10 Years of Film Audio Description in Poland This article presents the history of the development of audio description (AD) in Poland and gives an overview of the state of the art ten years after the ...
Anna Jankowska
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Film experience is a sensual, cognitive and emotional encounter between film and spectator. For viewers with blindness or visual impairment, access to film experience is made possible through audio description (AD).
Floriane Bardini
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The study described in this article is based on rhymed and traditional AD prepared for the animated film Boundin’ (Pixar, 2003). The cartoon with two kinds of AD was presented to blind audiences, both children and adults.
Monika Zabrocka
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Audio description services in Europe: an update
Audio Description for the blind and visually impaired (AD) is an access service that is rapidly gaining ground in Europe, in the industry as well as in research circles.
Nina Reviers
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Multilingualism in audiovisual productions has substantially increased in recent years as a reflection of today’s globalised world. While the number of publications looking at the phenomenon from the perspective of audiovisual translation (AVT ...
Micòl Beseghi
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Audio Description Made to Measure: Reflections on Interpretation in AD Based on the Pear Tree Project Data [PDF]
The issue of interpretation in audio description continues to divide both AD practitioners and researchers. In this contribution we look at interpretation from the point of view of narratological behaviour of sighted viewers. To this end, we analyse data from twelve languages collected in the Pear Tree Project – a research project in which sighted ...
Mazur, Iwona, Chmiel, Agnieszka
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Audio Description: Turning Access to Film into Cinema Art
This article reads Jacques Derrida's notion of the "supplement" alongside Georgina Kleege's influential work on blind access to the visual arts, in order to argue that audio description (AD) should be repositioned as a key cinematic feature rather than ...
Hannah Thompson
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Purpose: This article’s aim is to discuss the potential of audio description (AD) in two contexts: (1) developmental and educational difficulties experienced by children with low vision or total bl...
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Audio description remains the cornerstone of accessibility for visually impaired audiences to all sorts of audiovisual content, including porn. Existing work points to the efficacy of audio description to guarantee immersion and emotional engagement, but
Ana M Rojo López +2 more
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The need for audio-described audiovisual content is mainly growing due to statutory accessibility required in many countries. Regrettably, despite the popular and legal demand for audio description, broadcasters and producers perceive audio description
Anna Jankowska
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