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Rhymed and traditional audio description according to the blind and partially sighted audience: Results of a pilot study on creative audio description

open access: yesJoSTrans: The Journal of Specialised Translation, 2018
The study described in this article is based on rhymed and traditional AD prepared for the animated film Boundin’ (Pixar, 2003). The cartoon with two kinds of AD was presented to blind audiences, both children and adults.
Monika Zabrocka
doaj   +1 more source

Audio description services in Europe: an update

open access: yesJoSTrans: The Journal of Specialised Translation, 2016
Audio Description for the blind and visually impaired (AD) is an access service that is rapidly gaining ground in Europe, in the industry as well as in research circles.
Nina Reviers
doaj   +1 more source

Subtitling for the Deaf and Hard of Hearing, Audio Description and Audio Subtitling in Multilingual TV Shows

open access: yesLanguages, 2023
Multilingualism in audiovisual productions has substantially increased in recent years as a reflection of today’s globalised world. While the number of publications looking at the phenomenon from the perspective of audiovisual translation (AVT ...
Micòl Beseghi
doaj   +1 more source

Audio Description Made to Measure: Reflections on Interpretation in AD Based on the Pear Tree Project Data [PDF]

open access: yes, 2012
The issue of interpretation in audio description continues to divide both AD practitioners and researchers. In this contribution we look at interpretation from the point of view of narratological behaviour of sighted viewers. To this end, we analyse data from twelve languages collected in the Pear Tree Project – a research project in which sighted ...
Mazur, Iwona, Chmiel, Agnieszka
openaire   +2 more sources

Audio Description: Turning Access to Film into Cinema Art

open access: yesDisability Studies Quarterly, 2018
This article reads Jacques Derrida's notion of the "supplement" alongside Georgina Kleege's influential work on blind access to the visual arts, in order to argue that audio description (AD) should be repositioned as a key cinematic feature rather than ...
Hannah Thompson
doaj   +1 more source

Audio description accompanying video content as a compensatory tool in socialization and cognitive-linguistic development of children with visual impairment: the search for theory for alternative AD application

open access: yesEducational and Developmental Psychologist, 2021
Purpose: This article’s aim is to discuss the potential of audio description (AD) in two contexts: (1) developmental and educational difficulties experienced by children with low vision or total bl...
openaire   +2 more sources

The Accessible Museum: Towards an Understanding of International Audio Description Practices in Museums [PDF]

open access: yes, 2020
Introduction: Audio description (AD) in museums is crucial for making them accessible for people with visual impairments. Nevertheless, there are limited museum-specific AD guidelines currently available.
Hutchinson, R., Eardley, A.F.
core   +1 more source

Audio Described vs. Audiovisual Porn: Cortisol, Heart Rate and Engagement in Visually Impaired vs. Sighted Participants

open access: yesFrontiers in Psychology, 2021
Audio description remains the cornerstone of accessibility for visually impaired audiences to all sorts of audiovisual content, including porn. Existing work points to the efficacy of audio description to guarantee immersion and emotional engagement, but
Ana M Rojo López   +2 more
doaj   +1 more source

Museum Audio Description: The Problem of Textual Fidelity [PDF]

open access: yes, 2018
Museums present a myriad of source texts, which are often highly ambiguous. Yet Museum Audio Description (AD) is sited in an AD tradition which advocates objectivity.
Alison F. Eardley   +3 more
core   +1 more source

Museum audio description: the role of ADLAB PRO

open access: yes, 2022
Academic research on audio description (AD) originally focussed mostly on areas where there were clear barriers to accessibility for people with sight loss (PSL), particularly the description of screen products. Later, as audio description research moved
Taylor C., Perego E.
core   +1 more source

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