Results 21 to 30 of about 215,958 (174)

Training of audio descriptors : the cinematographic aesthetics as basis for the learning of the audio description aesthetics – materials, methods and products [PDF]

open access: yes, 2016
A Audiodescrição (AD), recurso utilizado para tornar o teatro, o cinema, a TV, bem como obras de arte visuais, acessíveis a pessoas com deficiência visual, vem aos poucos sendo implantada no Brasil e demandando profissionais capacitados.
Alves, Soraya Ferreira   +1 more
core   +4 more sources

Audio Description: Turning Access to Film into Cinema Art

open access: yesDisability Studies Quarterly, 2018
This article reads Jacques Derrida's notion of the "supplement" alongside Georgina Kleege's influential work on blind access to the visual arts, in order to argue that audio description (AD) should be repositioned as a key cinematic feature rather than ...
Hannah Thompson
doaj   +1 more source

Audio Described vs. Audiovisual Porn: Cortisol, Heart Rate and Engagement in Visually Impaired vs. Sighted Participants

open access: yesFrontiers in Psychology, 2021
Audio description remains the cornerstone of accessibility for visually impaired audiences to all sorts of audiovisual content, including porn. Existing work points to the efficacy of audio description to guarantee immersion and emotional engagement, but
Ana M Rojo López   +2 more
doaj   +1 more source

Audio description accompanying video content as a compensatory tool in socialization and cognitive-linguistic development of children with visual impairment: the search for theory for alternative AD application

open access: yesEducational and Developmental Psychologist, 2021
Purpose: This article’s aim is to discuss the potential of audio description (AD) in two contexts: (1) developmental and educational difficulties experienced by children with low vision or total bl...
openaire   +2 more sources

Approaching the audio description of humour [PDF]

open access: yes, 2010
Este artículo tiene como propósito principal ofrecer una introducción a la audiodescripción (AD) y realizar una aproximación a la cuestión de la AD, a la vez que se comenta brevemente la situación actual de esta práctica y se mencionan algunos de los ...
Martínez-Sierra, Juan José
core   +3 more sources

Variations on the Pear Tree Experiment : different variables, new results? [PDF]

open access: yes, 2012
Inspired by the Pear Stories Project, the Pear Tree Project has investigated how different cultures and languages describe the same film in order to apply its findings to audio description (AD).
Anna Matamala   +19 more
core   +1 more source

Lyrics against images : music and audio description [PDF]

open access: yes, 2012
Music has been an integral part of films from as far back as the silent movie era, where a piano accompaniment was used to build the narrative and an orchestra was used to drown out the sound of the projector. Music in films can encompass a wide array of
Igareda, Paula
core   +5 more sources

Diversity in museums: The inclusive value of museum audio description

open access: yesDive-In, 2022
This contribution seeks to explore the potential of museum audio description (AD) – a sub-genre of general screen AD – as an instance of intersemiotic translation for non-sighted and sighted alike by drawing on a systematic review of museum AD guidelines
Chiara Bartolini
doaj   +1 more source

Using mobile RE tools to give end-users their own voice [PDF]

open access: yes, 2010
Researchers highlight end-user involvement in system design as an important concept for developing useful and usable solutions. However, end-user involvement in software engineering is still an open-ended topic.
Graf, F., Maiden, N., Seyff, N.
core   +1 more source

“Guidance but not the ultimate commandment”: Pros and Cons of Using Pivot Templates in the Audio Description Production Workflow

open access: yesJoSTrans: The Journal of Specialised Translation
The need for audio-described audiovisual content is mainly growing due to statutory accessibility required in many countries. Regrettably, despite the popular and legal demand for audio description, broadcasters and producers perceive audio description
Anna Jankowska
doaj   +1 more source

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