Results 121 to 130 of about 282 (167)
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Beyond the “auteur” theory

Quarterly Review of Film Studies, 1977
Frank D. McConnell. The Spoken Seen: Film and the Romantic Imagination. Baltimore: The Johns Hopkins University Press, 1975. 195 pp. $11.95, cloth, $2.95 paper. Illustrated. Leo Braudy. The World in a Frame: What We See in Films. Garden City, New York: Anchor Press/Doubleday, 1976. 274 pp. $8.95 cloth, $3.95 paper.
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The Auteur Theory Reexamined

Cinema Journal, 1966
what it is or purports to be. But, do we really have a complete picture of the Politique des Auteurs? I have attempted to draw together some of the more basic writing about the theory (much of it from original French sources) in the hope of gaining a better understanding of what the theory was intended to be and do and what it might mean to serious ...
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Auteur Theory, The

2018
The auteur theory is a way of critically analyzing a film or corpus of films through viewing its director as the film’s author and principal creative influence. First articulated in post-war France by film magazine Cahiers du cinéma, it viewed the director as the primary individual responsible for creating a valuable film.
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Pseudepigraphy, Anonymity, and Auteur Theory

Religion and the Arts, 2011
AbstractOne of the striking features of Second Temple Judaism is the appearance of the phenomenon of pseudepigraphy. Intertwined with this phenomenon are the questions of authorship, fidelity to tradition, and the creative formation of new works. This paper attempts to bring to bear the debates on the “Auteur” in Film Studies to the understanding of ...
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Auteur theory and Director Pa. Ranjith: Deconstructing the Reality

Vidyodaya Journal of Humanities and Social Sciences, 2022
Film is one of the mediums which reflect the directors’ ideology. A film director through her/his film conveys the opinion and ideology to the target audience. In comparison to other media, film has gained popularity throughout history and has evolved over time.
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