Results 131 to 140 of about 282 (167)
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The Cinema of Defection: Auteur Theory and Institutional Life
Representations, 2011This essay identifies a genre of Hollywood film developed in certain peak years of poststudio reorientation, 1967–1974, the narratives of which might be deemed anticlassical for their tendency to depict protagonists—typically a defecting couple—as objects more than subjects.
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The Auteur Theory in the Age of the Mini-Series
2019Dominant in mid-century, the auteur theory of cinema elevated the director of a film to a position of artistic eminence. The theory was eroded by theoretical attacks and by the rise of big-budget computer-driven action films. This chapter explores the further decline in the auteur theory wrought by the contemporary rise of the television mini-series ...
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Film: Auteur Theory, Collaboration, Systems
2012Before we venture into an investigation of the movement of thought that has been applied to creativity in the film world I’d like to, firstly, become a little anecdotal.
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Steven Soderbergh's The Limey: Implications for the Auteur Theory and Industry Structure
Popular Communication, 2004In this article, I present an analysis of Steven Soderbergh's The Limey that is informed by auteurism and an effort to unpack the film's antinomies. Although it was not as high profile as subsequent Soderbergh films, The Limey presents an interesting entry in the director's corpus for its stylistic signature and its "liberal" politics; a political ...
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Coming to Terms with Hollywood: From Mass to Auteur Theory
1984From the 1930s onwards (with surprisingly few periods of recession considering the potential risks of investment) the Hollywood studio system provided a mass audience with a stream of Westerns, musicals, gangster thrillers, comedies, social problem pictures, and a host of generic variations and cross-breedings.
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Images for Reworking Auteur Theory for Early Cinema
1995Saggio iconografico, preceduto da un breve scritto, "Quattrocento colpi", con materiali d'archivio sulla prima regista donna della storia del cinema, Alice Guy Blaché
BERTOZZI, MARCO, A. MCMAHAN
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Politique des auteurs und die Theorie filmischer Autorschaft
2017Konzepten filmischer Autorschaft haftet seit den Anfangen des Mediums etwas Prekares an: Ging es zunachst darum, das noch junge Medium gegenuber der Literatur zu nobilitieren und dem burgerlichen Kunstkanon zu integrieren, so verschob sich der Akzent nach dem Zweiten Weltkrieg auf die filmasthetischen Praktiken, die nun zunehmend als individuelle ...
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