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The Auteur Theory Reexamined

Cinema Journal, 1966
what it is or purports to be. But, do we really have a complete picture of the Politique des Auteurs? I have attempted to draw together some of the more basic writing about the theory (much of it from original French sources) in the hope of gaining a better understanding of what the theory was intended to be and do and what it might mean to serious ...
D. E. Staples
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Pseudepigraphy, Anonymity, and Auteur Theory

Religion and the Arts, 2011
AbstractOne of the striking features of Second Temple Judaism is the appearance of the phenomenon of pseudepigraphy. Intertwined with this phenomenon are the questions of authorship, fidelity to tradition, and the creative formation of new works. This paper attempts to bring to bear the debates on the “Auteur” in Film Studies to the understanding of ...
J. Silverman
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The Cinema of Defection: Auteur Theory and Institutional Life

Representations, 2011
This essay identifies a genre of Hollywood film developed in certain peak years of poststudio reorientation, 1967–1974, the narratives of which might be deemed anticlassical for their tendency to depict protagonists—typically a defecting couple—as objects more than subjects.
Jeff Menne
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Film: Auteur Theory, Collaboration, Systems

2012
Before we venture into an investigation of the movement of thought that has been applied to creativity in the film world I’d like to, firstly, become a little anecdotal.
Phillip McIntyre
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Steven Soderbergh's The Limey: Implications for the Auteur Theory and Industry Structure

Popular Communication, 2004
In this article, I present an analysis of Steven Soderbergh's The Limey that is informed by auteurism and an effort to unpack the film's antinomies. Although it was not as high profile as subsequent Soderbergh films, The Limey presents an interesting entry in the director's corpus for its stylistic signature and its "liberal" politics; a political ...
B. Goss
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