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Coming to Terms with Hollywood: From Mass to Auteur Theory

1984
From the 1930s onwards (with surprisingly few periods of recession considering the potential risks of investment) the Hollywood studio system provided a mass audience with a stream of Westerns, musicals, gangster thrillers, comedies, social problem pictures, and a host of generic variations and cross-breedings.
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Auteur Theory

2011
Ruth Doughty   +1 more
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Images for Reworking Auteur Theory for Early Cinema

1995
Saggio iconografico, preceduto da un breve scritto, "Quattrocento colpi", con materiali d'archivio sulla prima regista donna della storia del cinema, Alice Guy Blaché
BERTOZZI, MARCO, A. MCMAHAN
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Politique des auteurs und die Theorie filmischer Autorschaft

2017
Konzepten filmischer Autorschaft haftet seit den Anfangen des Mediums etwas Prekares an: Ging es zunachst darum, das noch junge Medium gegenuber der Literatur zu nobilitieren und dem burgerlichen Kunstkanon zu integrieren, so verschob sich der Akzent nach dem Zweiten Weltkrieg auf die filmasthetischen Praktiken, die nun zunehmend als individuelle ...
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