Results 201 to 210 of about 6,697,211 (239)
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Re-conceptualizing Ingmar Bergman’s status as auteur du cinema
European Journal of Cultural Studies, 2019Jono Van Belle
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Digital Games and the Category of Auteur: A Re-Evaluation and Perspectives
DiGRA Digital Library, 2023EXTENDED ABSTRACT Digital games are mainly collective works (Schreier 2017). Still, there have beenattempts at applying the ‘auteur’ theory, borrowed from art and film studies, to digital games (Aarseth 2004; Demirbas 2008; Staszenko 2015).
Filip Jankowski
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Empathy for the "other" in the films of Yim Soon-rye from the perspective of auteur theory
Region - Educational Research and ReviewsYim Soon-rye is a director with a distinct thematic awareness and vivid visual expression, often hailed as the most representative female director in South Korea.
Yaoguo Sun
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Quarterly Review of Film Studies, 1977
Frank D. McConnell. The Spoken Seen: Film and the Romantic Imagination. Baltimore: The Johns Hopkins University Press, 1975. 195 pp. $11.95, cloth, $2.95 paper. Illustrated. Leo Braudy. The World in a Frame: What We See in Films. Garden City, New York: Anchor Press/Doubleday, 1976. 274 pp. $8.95 cloth, $3.95 paper.
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Frank D. McConnell. The Spoken Seen: Film and the Romantic Imagination. Baltimore: The Johns Hopkins University Press, 1975. 195 pp. $11.95, cloth, $2.95 paper. Illustrated. Leo Braudy. The World in a Frame: What We See in Films. Garden City, New York: Anchor Press/Doubleday, 1976. 274 pp. $8.95 cloth, $3.95 paper.
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2018
The auteur theory is a way of critically analyzing a film or corpus of films through viewing its director as the film’s author and principal creative influence. First articulated in post-war France by film magazine Cahiers du cinéma, it viewed the director as the primary individual responsible for creating a valuable film.
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The auteur theory is a way of critically analyzing a film or corpus of films through viewing its director as the film’s author and principal creative influence. First articulated in post-war France by film magazine Cahiers du cinéma, it viewed the director as the primary individual responsible for creating a valuable film.
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Combining and Defining Auteur Film and Film Auteurism
Studies in Art and ArchitectureThis paper provides a concise overview of the history of film as a dynamic visual medium, analyzing European cinema of the nineteenth century and Hollywood films of the 1930s and 1940s.
Shengshuang Niu
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