Results 11 to 20 of about 2,694 (157)
Russian-Language Autofiction and Cultural Trauma(s)
This paper is the first examination of its kind of the Russian-language autofiction tradition, which emerged and developed in the context of recent socio-political upheavals.
Larissa Muraveva
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L’étiquette générique "autofiction": us et coutumes [PDF]
Autofiction has become a theoretical tool which allows us to review larger questions such as the permanent redistribution of the boundaries of fiction or the general autofictionalization peculiar to postmodern society.
Mar Garcia
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L`AUTOFICTION: UN GENRE LITTÉRAIRE «FÉMININ»? [PDF]
This paper aims to discuss the connection between the concept of “autofiction” and the gender category of the “feminine”, by looking back at the interwar distinction between “masculine” and “feminine” literatures, active in several European cultural ...
Ștefan FIRICĂ
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Autofiction in brazilian contemporary literature: José Rubem Gonseca’s “José”
The article aims to reflect on the autofictional genre bearing in mind the significant presence of the writing of oneself [l’écriture de soi] within contemporary literature. Such a reflection is developed from a comparative perspective. The article, also,
Jacqueline Oliveira Leão
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This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad ...
core +3 more sources
This paper focuses on the cultural reasons for a new and non-univocal representation of past and present events. Many scholars have censured the value of autofiction and docufiction in contemporary novel, and have denied their potential as tools for ...
José Martínez Rubio
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This essay explores a return to hope and romanticism by contemporary artists looking at themes of fantasy worlds and mapping imaginary lands as a type of autofiction. These fantasylands are created in collaboration with hallucinating machine learning platforms, as a tool for contemporary art-making. Seen through the framework of Metamodernism, how does
Beyer, Sue
openaire +3 more sources
Autofiction(s) et scandale [PDF]
The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into ...
core +3 more sources
The issue is open to all kinds of applied and theoretical papers on gender and autofiction. Contributions may be written in English and may vary in length from 3000 to 12000 words. Reviews should not be more than 1000 words. In addition to scholarly papers we invite contributions in the form of book reviews, calls for papers, announcements of ...
openaire +2 more sources
Poetic Perlocutions: Poetry after Cavell after Austin
Abstract Although perlocution has received more interest lately, it remains the great unthought of Austin’s theory. The privilege he gives to illocution over perlocution, rather than being a necessity of his linguistic theory, is a contestable philosophical claim that leads him, I argue, to exclude from his consideration poetic and other ‘parasitical ...
Philip Mills
wiley +1 more source

