Results 21 to 30 of about 3,983 (113)

Comments on a found text: “Return to Acirema: Fragments regarding twenty‐first‐century Nacirema culture”

open access: yes, 2023
American Anthropologist, Volume 125, Issue 3, Page 707-714, September 2023.
Hilary Morgan V. Leathem
wiley   +1 more source

Laura Marcus (7 March 1956–22 September 2021)

open access: yes, 2022
Critical Quarterly, Volume 64, Issue 1, Page 3-26, April 2022.
Santanu Das, George Potts
wiley   +1 more source

Writing as ‘Compearance’ in Diário da Queda by Michel Laub

open access: yesBulletin of Latin American Research, Volume 39, Issue 2, Page 255-268, April 2020., 2020
Diário da Queda (2011) by Michel Laub has been described as autoficção (autofiction), the Brazilian translation of the concept coined by Serge Doubrovsky to describe the narrative working‐through of trauma through fictional autobiography. This article re‐examines the definition of ‘autofiction’ and argues that Laub's narrative process more closely ...
Emily Mary Baker
wiley   +1 more source

Autofiction in brazilian contemporary literature: José Rubem Gonseca’s “José”

open access: yesEscritos, 2016
The article aims to reflect on the autofictional genre bearing in mind the significant presence of the writing of oneself [l’écriture de soi] within contemporary literature. Such a reflection is developed from a comparative perspective. The article, also,
Jacqueline Oliveira Leão
doaj   +1 more source

Écrire le je(u) de l’histoire : la confrontation générique de l’autofiction doubrovskienne et l’écriture de l’histoire

open access: yesItinéraires, 2018
Telling an individual lived story; unravelling the knots of national History: this is how the vast literary project of Serge Doubrovsky (a Parisian academic living in the USA) might be summarised.
Anaïs Fusaro
doaj   +1 more source

“The World, More or Less” by Jean Rouaud: between novel and autofiction

open access: yesRUDN Journal of Studies in Literature and Journalism, 2019
This article discusses theoretical approaches to autofiction - a new form of self-writing which spread in French literature from the 80s. The analysis of the autofictional device implemented in the novel “The World, More or Less” by Jean Rouaud produces ...
Gérard Siary, Yulia Anatolievna Kosova
doaj   +1 more source

“Cross-Writing” and War Memory: Fridrich Gorenshtein’s Autobiographical Story The House with a Turret

open access: yesAvtobiografija, 2015
This article focuses on the representation of childhood in Fridrikh Gorenshtein’s (1932-2002) autobiographical story The House with a Turret (1964) that epitomizes the collective experience of his generation of Soviet children growing up during WWII ...
Larissa Rudova
doaj   +1 more source

AFFECT, AUTOFICTION, PARODY: NEGOTIATING IMPLICATION IN CHRISTIAN KRACHT'S EUROTRASH AND MAXIM BILLER'S DER FALSCHE GRUẞ

open access: yesGerman Life and Letters, Volume 79, Issue 4, Page 557-579, October 2026.
Abstract Christian Kracht's assertion that everything that takes itself too seriously is ripe for parody frames this analysis of Eurotrash (2021) and Maxim Biller's Der falsche Gruß (2021), novels in which the postmemory generation navigates inherited legacies of violence, injustice and abuse, as well as of wealth and privilege.
Karin Bauer
wiley   +1 more source

Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead

open access: yesOrbis Litterarum, Volume 81, Issue 4, Page 363-376, August 2026.
Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley   +1 more source

Becoming a Wolf: Indigenous Pedagogies and Settler Supervision in Sayet's Where We Belong

open access: yesLiterature Compass, Volume 22, Issue 3, September 2025.
ABSTRACT This article discusses Indigenous pedagogies and deep relationally Mohican playwright and educator Madeline Sayet's Where We Belong. The play challenges the idea that Shakespeare is settler property, and it frames Sayet's quitting her doctoral program and returning to her community as heroic.
Jamie Paris
wiley   +1 more source

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