Results 71 to 80 of about 39,702 (267)

Transformation of the column order in the Baroque architecture in St. Petersburg of the XVIII century

, 2018
The forms and proportions of the Baroque column order of the buildings in St. Petersburg of the XVIII century differ substantially from the Western European canonical designs.
E. Vozniak, T. Slavina, A. Kopytova
semanticscholar   +1 more source

ATMOSFEAR: Horror of nature and the nature of horror in Algernon Blackwood

Orbis Litterarum, Volume 80, Issue 6, Page 553-577, December 2025.
Abstract The impact that the stories of Algernon Blackwood (1869–1951) have had on the literature of the uncanny can hardly be overestimated. However, there is almost no research on Blackwood's life and work. Against the background of a presentation of themes and motifs of Blackwood's narrative œuvre, this article develops a characteristic of his ...
Dominic Angeloch
wiley   +1 more source

“The works themselves refute geographical separatism”: Exhibiting the Baroque in Cold War Britain [PDF]

Journal of Art Historiography, 2016
This article examines the collaborative exhibition Baroque in Bohemia (1969) to analyse the significance of the baroque style in Cold War cultural diplomacy between Britain and Czechoslovakia.
Verity Clarkson
doaj  

The overlapped skyline of the Baroque cities in the Val di Noto.

, 2021
Salvatore Santuccio
openalex   +2 more sources

Baroque sentence geometry in the play Nevinost ili Svetislav i Mileva (1827) (Innocence or Svetislav and Mileva) by Jovan Sterija Popović [PDF]

Baština, 2019
A syntactic organization in the play Nevinost Ili Svetislav i Mileva (1827) (Innocence or Svetislav and Mileva) by Jovan Sterija Popović is far away from the present day holders of the standard Serbian language.
Mihajlović Milica M.
doaj  

Presentazione [PDF]

Parole Rubate, 2020
Introduction
Pasquale Guaragnella
doaj  

Becoming Space in Every Direction: Birdman as Post-cinematic Baroque

Cinéma & Cie, 2016
While the post-cinematic is typically understood as the passing of film-as-celluloid, the digital expressivity of film need not involve the loss of materiality.
Saige Walton
doaj  

Les couleurs de Moscou et de Saint-Pétersbourg

Bulletin du Centre de Recherche du Château de Versailles, 2002
Moscow and Saint Petersburg experienced similar evolutions in colour, but the differences in their plans, urbanity and cultural influences, and their alternating roles as capitals, determined the particularities of their palettes.
Andrey Efimov
doaj   +1 more source

Barroco contemporáneo

Orbis Tertius, 2011
Contemporary Baroque is a category with vague limits. In order to delimit it, two approaches have been proposed. On the one hand, it is stated that Baroque returns since 1900; on the other, that it constitutes a long narrative, dating back to 1600 and ...
Ignacio Iriarte
doaj  

Шведский полонез из Тобольска. Опыт реконструкции барочной партитуры

Вестник музыкальной науки, 2014
Инструментальный манускрипт, составленный в Тобольске в 1715 г., недавно найден в Швеции, в нем зафиксированы фрагменты партитур западноевропейского светского репертуара рубежа XVII-XVIII вв. Статья посвящена реконструкции танца, состоящего из трех туров,
Недоспасова, Анна Павловна
doaj   +1 more source