Results 71 to 80 of about 171,735 (316)
Faculty recital series: Maria Clodes, March 22, 2007 [PDF]
, 2007 This is the concert program of the faculty recital of Maria Clodes on hursday, March 22, 2007 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata in A Major, post. D.
School of Music, Boston University
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, 2018 Baroque temples were developed in the context of cross-cultural influences through new territories where the climatic conditions were often opposed to those prevailing in Europe. The nature of weather differences could not be predicted with the knowledge
Joseph-Maria Cabeza-Lainez +1 more
semanticscholar +1 more source
Aesthetic Worlds: Rimbaud, Williams and Baroque Form [PDF]
, 2000 The sense of form that provides the modern poet with a unique experience of the literary object has been crucial to various attempts to compare poetry to other cultural activities. In maintaining similar conceptions of the relationship between poetry and
A Rimbaud +13 more
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ATMOSFEAR: Horror of nature and the nature of horror in Algernon Blackwood
Orbis Litterarum, Volume 80, Issue 6, Page 553-577, December 2025.Abstract The impact that the stories of Algernon Blackwood (1869–1951) have had on the literature of the uncanny can hardly be overestimated. However, there is almost no research on Blackwood's life and work. Against the background of a presentation of themes and motifs of Blackwood's narrative œuvre, this article develops a characteristic of his ...
Dominic Angeloch
wiley +1 more source
Modes of Knowing: Resources from the Baroque
, 2016 How might we think differently? This book is an attempt to respond to this question. Its contributors are all interested in non-standard modes of knowing.
J. Law, E. Ruppert
semanticscholar +1 more source
The beauty of the act – Figuring film and the delirious baroque in HOLY MOTORS
NECSUS, 2014 Leos Carax’s metamorphic Holy Motors (2012) has been received as evading conceptual, physical, and cinematic coherence. Drawing on Gilles Deleuze’s concept of the fold and Nicole Brenez’s work on the figural powers of the cinema, this article argues that
Saige Walton
doaj +1 more source
Baroque Chamber Music, May 8, 1989 [PDF]
, 1989 This is the concert program of the Baroque Chamber Music performance on Monday, May 8, 1989 at 8:30 p.m., at the Marshall Room. Works performed were "Paris" Quartet in A major by Georg Philipp Telemann, Trio Sonata in B-flat major by Wilhelm Friedemann ...
School of Music, Boston University
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Ratio Juris, Volume 38, Issue 3, Page 198-235, November 2025.Abstract This essay revisits the early methodology of Rudolph von Jhering. It has often been dismissed due to its heavy metaphysics, unwieldy presentation, and alleged neglect of teleology. But a charitable reconstruction in contemporary terms reveals a coherence theory of jurisprudence that is in many ways superior to current coherence accounts.
Pascal Felix Meier
wiley +1 more source
Remarques sur la genèse et les utilisations de la notion de « baroque » en Allemagne
Les Dossiers du GRIHL, 2012 La contribution retrace l’évolution des significations attribuées à la notion de « baroque » dans le domaine de la recherche allemande depuis ses premières utilisations esthétiques dans l’histoire de l’art au xixe siècle chez Jacob Burckhardt et Heinrich
Hartmut Stenzel
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