Results 121 to 130 of about 602 (156)
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Fernando de Rojas and the Renaissance Vision: Phantasm, Melancholy, and Didacticism in 'Celestina'

The Modern Language Review, 2002
Fernando de Rojas and the Renaissance Vision: Phantasm, Melancholy, and Didacticism in Celestina. By Ricardo Castells. University Park: The Pennsylvania State UP, 2000. 122 pages. The first three chapters of Castells's book are in effect glosses of certain writings on Celestina by Manuel Garcia G6mez.
Alan Deyermond, Ricardo Castells
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Fernando de Rojas, La Celestina

Edición anotada de Celestina, la obra maestra de Fernando de Rojas. La edición va profusamente anotada, lleva un estudio preliminar, ofrece un itinerario de lectura esencial, aporta diversos apéndices documentales y materiales para el estudio de la obra. Es una edición académica especialmente dirigida a estudiantes universitarios.
Conde López, Juan Carlos, Haro, Marta
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‘Reyna y señora mía’: Fernando de Rojas's Celestina as Parodic Construct

Bulletin of Hispanic Studies, 2013
Several scholars have considered Fernando de Rojas's Celestina to be a parodic representation of the Virgin Mary. By the time Rojas takes up his story, however, the old bawd's power has waned and in Auto XII, she meets her death. This article suggests that Rojas's choice to make Celestina mortal and have her influence decline has critical implications ...
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"Laughter and melancholy in La Celestina by Fernando de Rojas"

2010
Cet article analyse l’articulation entre la mélancolie et ce qui semble de prime abord son antonyme, son opposé : le rire. Il montre l’émergence et la circulation, dans les textes classiques et dans les textes de l’Espagne Moderne d’un certain type de rire, un rire placé sous le signe de la mélancolie et incarné par la figure de Démocrite.
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Fernando de Rojas, La Celestina

Hispanic Review, 1999
Montserrat Piera   +2 more
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Fernando de Rojas y la Celestina

Hispania, 1994
Jerry R. Rank   +2 more
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Fernando de Rojas and Celestina: Approaching the Fifth Century

Hispania, 1994
Connie L. Scarborough   +2 more
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Fernando de Rojas: La Celestina (1499) Die Entdeckung der Sexualität

2011
La Celestina hies der Text nicht von Anfang an. Der Titel wurde ihm vielmehr erst nachtraglich vom Publikum ›verliehen‹ und von den Verlegern als verkaufsfordernd akzeptiert, denn er spiegelt die Faszination wider, die von ihr ausgeht: der ehemaligen Hure, die, alt geworden, hauptsachlich Kuppelei betreibt, wobei sie noch immer gern ›dabei‹ zuschaut ...
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