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A Wild Fable: Affect and Reception of Fernando de Rojas’ Celestina (1499)
2017Fernando de Rojas’ Celestina (1499) is one of the first books of prose fiction written in Spanish after the creation of the printing press. In Spain’s history of literature, Celestina is often considered the second most influential text after Cervantes’ Don Quixote, for its literary genius as well as for its success in Spain and throughout Europe.
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Fernando de Rojas, Celestina (1499) (Spanish version)
2021This unit (Text, intro, and notes in Spanish) contains a brief introduction to the Spanish masterpiece Celestina, or The Tragicomedy of Calisto and Melibea, and a fragment from a dialogue in Act VII adapted for modern readers with notes, and a short bibliography. Celestina deals with love, the decline of nobility, prostitution, witchcraft, money, death,
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Fernando de Rojas, Celestina (1499) (English version)
2021This bilingual unit (Spanish/English text and translation, with intro and notes in English) contains a brief introduction to the Spanish masterpiece Celestina, or The Tragicomedy of Calisto and Melibea, and a fragment from a dialogue in Act VII adapted for modern readers with notes, and a short bibliography.
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Fernando de Rojas and the Renaissance Vision: Phantasm, Melancholy, and Didacticism in "Celestina"
Hispanic Review, 2002Fernando de Rojas and the Renaissance Vision: Phantasm, Melancholy, and Didacticism in Celestina. By Ricardo Castells. University Park: The Pennsylvania State UP, 2000. 122 pages. The first three chapters of Castells's book are in effect glosses of certain writings on Celestina by Manuel Garcia G6mez.
Charles F. Fraker, Ricardo Castells
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Fernando de Rojas, La Celestina
Edición anotada de Celestina, la obra maestra de Fernando de Rojas. La edición va profusamente anotada, lleva un estudio preliminar, ofrece un itinerario de lectura esencial, aporta diversos apéndices documentales y materiales para el estudio de la obra. Es una edición académica especialmente dirigida a estudiantes universitarios.Conde López, Juan Carlos, Haro, Marta
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‘Reyna y señora mía’: Fernando de Rojas's Celestina as Parodic Construct
Bulletin of Hispanic Studies, 2013Several scholars have considered Fernando de Rojas's Celestina to be a parodic representation of the Virgin Mary. By the time Rojas takes up his story, however, the old bawd's power has waned and in Auto XII, she meets her death. This article suggests that Rojas's choice to make Celestina mortal and have her influence decline has critical implications ...
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"Laughter and melancholy in La Celestina by Fernando de Rojas"
2010Cet article analyse l’articulation entre la mélancolie et ce qui semble de prime abord son antonyme, son opposé : le rire. Il montre l’émergence et la circulation, dans les textes classiques et dans les textes de l’Espagne Moderne d’un certain type de rire, un rire placé sous le signe de la mélancolie et incarné par la figure de Démocrite.
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