Results 11 to 20 of about 93 (89)
Appareil, 2010 Pour Alain Badiou, l’art est une pensée singulière, productrice de vérités, irréductible à toute autre forme de pensée, et qui ne saurait faire l’objet d’une Esthétique.Le cinéma, art impur, crée des idées dont le propre est d’être mixtes, fugaces et ...
Denis Lévy
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Cesare Zavattini’s Poetics of Objectivity
Anafora, 2020 Cesare Zavattini was an acclaimed neorealist screenwriter and a theorist of neorealism. He has played a pivotal role in the critical rethinking of the new postwar Italian cinema although many of his concepts were considered avant-garde for that period ...
Etami Borjan
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Necessary Fictions: From Cinéma vérité to Ciné, ma vérité(s)
CINEJ Cinema Journal, 2012 Despite critical reconceptualisations of reenactment in theory and practice beginning in the 1980s, such scholarship has confined reenactment to a process that rests solely on substitution, actors, and actor reenactment. This article examines reenactment
Rowena Santos Aquino
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The documentary temptation: Fiction filmmakers and non-fiction forms
NECSUS, 2014 This essay addresses the ‘documentary temptation’ for filmmakers more usually associated with fiction: an encounter with reality – whether rendered in minimalist, observational, cinéma-vérité, or conventional reportage formats – that comes on an initial,
Adrian Martin
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CRÔNICA DO QUOTIDIANO JUVENIL URBANO EM CHRONIQUE D’UN ÉTÉ
Mídia e Cotidiano, 2015 O filme de Jean Rouch e Edgar Morin, Chronique d’un Été, realizado no início dos anos de 1960, coloca uma série de questões no campo da antropologia, da sociologia e do cinema.
José RIBEIRO
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REALISM STILISTICS OF GENRE HORROR INDONESIAN MOVIES POST-REFORM: CASE STUDY OF FILM “KERAMAT”
Capture, 2019 This article aims to describe the stylistic exploration of the ‘Keramat’ (‘Sacred’) film. Form and style are used as starting points to find out the exploration of stylistics film.
Fajar Aji
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The Disorder of Life: James Baldwin on My Shoulder, Part Two
James Baldwin Review, 2021 Filmmaker Karen Thorsen gave us James Baldwin: The Price of the Ticket, the award-winning documentary that is now considered a classic. First broadcast on PBS/American Masters in August, 1989—just days after what would have been Baldwin’s sixty-fifth ...
Karen Thorsen
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El documental de los años sesenta como arte: consideraciones de la película Crónica de un verano
Palabra Clave, 2011 En la década de los sesenta del siglo pasado emergieron nuevas formas de cine documental, entre ellas el cinema verité, el direct cinema y el free cinema. Diversos estudios consideran estas propuestas una consecuencia directa de los avances tecnológicos,
José Alejandro López
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Antipode, Volume 57, Issue 6, Page 2393-2416, November 2025.Abstract In the decade since the so‐called Arab Spring first drove debates around the relationship between images and militancy, hundreds of films have documented the uprisings and their aftermath. Yet little scholarship has considered the political consequences of films made in relation to the Arab Spring or situated new works in relation to earlier ...
Mary Jirmanus Saba
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ALL THAT GLITTERS: THE MANY OBJECTS OF ROME'S MUSEUM OF CIVILIZATIONS
History and Theory, Volume 64, Issue 3, Page 422-452, September 2025.ABSTRACT This review article examines the various methodologies practiced by Rome's Museum of Civilizations (Museo delle Civiltà) to discuss the contemporary curatorial approaches of traditional ethnographic museums. It adopts a historical and comparative perspective to situate the diverse collections within ongoing debates about art restitution.
Arielle Xena Alterwaite
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