Results 31 to 40 of about 110,289 (135)

Neoliberalism and the Mutations of Social Realism in Contemporary European Cinema

Cinéma & Cie
Over the last couple of decades film scholars have begun building a critical vocabulary to theorize the new kinds of social relations depicted in the new European cinema of precarity, from “flexible solidarity” and “precarious intimacies” to “the gift ...
Temenuga Trifonova
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The “found story” in Derviş Zaim’s cinema: Documentary reality through the possibilities of digital cinema

ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi
Derviş Zaim’s cinema is a cinema of exploration. Zaim blends found story with fiction, constructing a framework in which content and form reinforce each other.
Aslı Güngör
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Autobiografizm filmowy. Rekonesans historyczno-teoretyczny

Kwartalnik Filmowy, 2011
Pisząc o autobiografizmie filmowym, Podsiadło wskazuje na jego główne źródła i przywołuje refleksje teoretyczne mające wyznaczyć granice dla tego zjawiska.
Magdalena Podsiadło
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Les formes du montage dans le cinéma d’avant-garde

, 2014
Aux antipodes du montage transparent élaboré par le cinéma traditionnel, se sont développées dans le champ du cinéma d’avant-garde des formes de montage qui affirment au contraire leur faculté à dissocier plutôt qu’à assembler, se dotant ainsi de vertus ...
Deville, Vincent
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TRANSFORMATION OF VISUAL STEREOTYPES ON TV: NONFICTIONAL TV-FORMATS OF THE USA AND CANADA OF THE 1960th / Трансформация зрелищных стереотипов на малом экране: неигровые телеформаты США и Канады 1960-х годов

Наука телевидения, 2017
The experiments of documentary film makers of the USA, Canada and European countries made in 1950–1960 on the basis of new technologies and in the conditions of competitive fight of cinema and TV are analyzed in the article.
KAZYUCHITS M.F. / КАЗЮЧИЦ М.Ф.
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The Other Chronicle of a Summer; or, Caribbean Layovers of Transnational Vérité

Alphaville: Journal of Film and Screen Media
The early Flaherty Seminars served as incubator for the emergent form of cinéma vérité, bringing together major practitioners of a new mode that promised immediacy, objectivity, and realism.
Pedro Noel Doreste Rodríguez
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Voir et concevoir le mouvement cinématographique

Hybrid, 2015
Le mouvement cinématographique des images animées repose depuis leur invention dans les années 1830 sur un effet particulier qui donne à voir du mouvement – ou différentes sortes de mouvements – à partir d’une succession d’images fixes.
Dominique Willoughby
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Reportaże z pamięci. O rekonstruowaniu rzeczywistości minionej w filmach dokumentalnych Mariana Marzyńskiego

Images, 2012
Reports from Remembering. Marian Marzyński’s Documentary Reconstructions of the Past Reality The article focuses on autobiographical films by Polish-American documentary filmmaker whose most personal project is Never Forget to Lie (2012) about Jews ...
Mikołaj Jazdon
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Le Cinéma muet italien, à la croisée des arts

, 2022
L’histoire du cinéma possède encore des continents mystérieux. Parmi ceux-là, une Atlantide oubliée depuis trop longtemps : le cinéma muet italien. Il a pourtant bénéficié, dès les années qui succédèrent son invention, d’une renommée internationale ...

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Documentary Style in Fiction Film

Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво
The purpose of the research is to analyse the genesis and development of the documentary style in fiction film; to investigate the prerequisites for its emergence, its main characteristics and their evolution, and the reasons and peculiarities of its ...
Олександр Безручко, Володимир Грифцов   +1 more
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