Results 21 to 30 of about 93 (89)
Sincere critique in Israeli filmmaking
Journal of the Royal Anthropological Institute, Volume 31, Issue 2, Page 531-548, June 2025.Abstract This article investigates an increasingly observable yet insufficiently studied phenomenon: the emphasis placed by artists on personal experience as the most legitimate inspiration for art. To this end, I introduce the term ‘sincere realism’ to describe an emerging form of personal cinema in Israel, illustrating how sincerity has evolved into ...
Maayan Cohen
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Neoliberalism and the Mutations of Social Realism in Contemporary European Cinema
Cinéma & CieOver the last couple of decades film scholars have begun building a critical vocabulary to theorize the new kinds of social relations depicted in the new European cinema of precarity, from “flexible solidarity” and “precarious intimacies” to “the gift ...
Temenuga Trifonova
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Autobiografizm filmowy. Rekonesans historyczno-teoretyczny
Kwartalnik Filmowy, 2011 Pisząc o autobiografizmie filmowym, Podsiadło wskazuje na jego główne źródła i przywołuje refleksje teoretyczne mające wyznaczyć granice dla tego zjawiska.
Magdalena Podsiadło
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ARTS: Artuklu Sanat ve Beşeri Bilimler DergisiDerviş Zaim’s cinema is a cinema of exploration. Zaim blends found story with fiction, constructing a framework in which content and form reinforce each other.
Aslı Güngör
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Voir et concevoir le mouvement cinématographique
Hybrid, 2015 Le mouvement cinématographique des images animées repose depuis leur invention dans les années 1830 sur un effet particulier qui donne à voir du mouvement – ou différentes sortes de mouvements – à partir d’une succession d’images fixes.
Dominique Willoughby
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Наука телевидения, 2017 The experiments of documentary film makers of the USA, Canada and European countries made in 1950–1960 on the basis of new technologies and in the conditions of competitive fight of cinema and TV are analyzed in the article.
KAZYUCHITS M.F. / КАЗЮЧИЦ М.Ф.
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The Other Chronicle of a Summer; or, Caribbean Layovers of Transnational Vérité
Alphaville: Journal of Film and Screen MediaThe early Flaherty Seminars served as incubator for the emergent form of cinéma vérité, bringing together major practitioners of a new mode that promised immediacy, objectivity, and realism.
Pedro Noel Doreste Rodríguez
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Images, 2012 Reports from Remembering. Marian Marzyński’s Documentary Reconstructions of the Past Reality The article focuses on autobiographical films by Polish-American documentary filmmaker whose most personal project is Never Forget to Lie (2012) about Jews ...
Mikołaj Jazdon
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Documentary Style in Fiction Film
Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництвоThe purpose of the research is to analyse the genesis and development of the documentary style in fiction film; to investigate the prerequisites for its emergence, its main characteristics and their evolution, and the reasons and peculiarities of its ...
Олександр Безручко +1 more
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Etnograficzne kino Tiana Zhuangzhuanga
Kwartalnik Filmowy, 2008 Tekst poświęcony jest filmowi Złodziej koni (1986, reż. Tian Zhuangzhuang), który najczęściej rozpatrywany bywa w kontekście kina Piątej Generacji. Film ten zwykle charakteryzowany jest jako artystyczny o profilu awangardowym, chociaż przede wszystkim ...
Alicja Helman
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