Results 171 to 180 of about 3,007 (294)

Humour uncovers the wide landscape of life : From laughter to freedom. [PDF]

EMBO Rep
Leksa V.
europepmc   +1 more source

Using Celebrity to Advance Equality

Journal of Social Philosophy, EarlyView.
Alfred Archer
wiley   +1 more source

Trauma and affect in a Holocaust survivor's story: Rosita Fanto's novel Rozalia Alone

Orbis Litterarum, EarlyView.
Abstract My article endeavors to redress the neglect of Rosita Fanto's Rozalia Alone (2010), which deals with a page of history that is less known worldwide, the Holocaust in Romania. Using a trauma studies perspective that mixes with affect theory, the article demonstrates that Rozalia Alone covers in a nutshell the whole magnitude of the late 1930s ...
Arleen Ionescu
wiley   +1 more source

Rhetorical strategies in Chinese and English talk show humor: a comparative analysis. [PDF]

Front Psychol
Tianli Z, Chen S.
europepmc   +1 more source

Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four

Orbis Litterarum, EarlyView.
Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley   +1 more source

Cure as medicine's constitutive aim: a defence of the refined curative thesis. [PDF]

Med Health Care Philos
Ncube L.
europepmc   +1 more source

What's Wrong With Self‐Censorship?

Philosophy &Public Affairs, EarlyView.
ABSTRACT In recent years, discourse on freedom of speech has shifted away from exclusive focus on the state and towards societal threats to speech. Amidst this change, the notion of “self‐censorship” has gained increased prominence. Not only has self‐censorship emerged as a common reference point, several recent studies identify it as embodying a ...
Gideon Elford
wiley   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

Pacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

Motivation, self-determination, and reflexivity of researchers in comedic public engagement. [PDF]

Public Underst Sci
Gallagher Á, Fracchiolla C, Fairfield JA.   +2 more
europepmc   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source