Results 41 to 50 of about 774 (117)
Orbis Litterarum, Volume 81, Issue 1, Page 1-10, February 2026.Zusammenfassung Der Beitrag untersucht Formen und Wege des Kulturtransfers zwischen Frankreich und Österreich, bzw. Deutschland, im Bereich der Pantomime, insbesondere unter dem Blickwinkel der „Texttheatralität“ (Poschmann). Bei vielen deutschsprachigen Pantomimenautoren ist die Begegnung mit der Pariser Pantomime, die 1888 mit der Gründung des ...
Catherine Mazellier‐Lajarrige
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AOQU, 2023 Indagini ormai “classiche” (Segre, Blasucci, Ossola) e importanti studi successivi (Zatti, Jossa, Geyer, Stierle e altri) hanno mostrato la pervasività dell’influsso della Commedia sul Furioso, sia a livello linguistico, stilistico e metrico, sia in ...
Christian Rivoletti
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Rhetorik und Schriftbildlichkeit von literarischen Pantomimen
Orbis Litterarum, Volume 80, Issue 6, Page 619-628, December 2025.Zusammenfassung Da sich die Pantomime als sogenannte „wortlose Kunst“ ihrer Verschriftlichung eigentlich entzieht, sind einige Texte der Pantomime um 1900 bezüglich ihrer Darstellungsverfahren besonders erfinderisch. Sie enthalten Notationen, Bilder, Zeichnungen und generieren rhetorische Figuren, um die Bewegung des Körpers auf der Bühne in den Texten
Nina Tolksdorf
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La costellazione dei generi: forme letterarie e modi del discorso nel pensiero di Paul Ricœur
Enthymema, 2013 Il pensiero filosofico di Ricœur si è sviluppato attraverso un costante e proficuo confronto con le diverse forme della letteratura antica e moderna.
Roberto Talamo
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Sites of Contact and Models of Change: Introduction
Transactions of the Philological Society, Volume 123, Issue 3, Page 391-398, November 2025.This Special Issue of Transactions of the Philological Society grew out of a Symposium held in November 2023 at St John's College, Cambridge, in honour of our friend and colleague, Peter Matthews, who died on 7 April 2023. Both the Symposium and the Special Issue were commissioned by the Council of the Philological Society in his memory.
Sylvia Adamson, Nigel Vincent
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«IN FORMA DI PAROLE». OSSERVAZIONI SUL LESSICO DELLA COMMEDIA
Italiano LinguaDue, 2023 Il principio della varietà è uno dei tratti che maggiormente definiscono la lingua di Dante e, specialmente, della Commedia: si tratta di un vocabolario estremamente ricco che spazia dai lessici tecnici delle scienze ai latinismi, dai vocaboli che ...
Chiara Murru
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Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆
Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
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Perspectives Médiévales, 2023 Within the rewritings of Dante’s Commedia published in 2021 three different trends can be highlighted : the aim (using modern tools to re-tell Dante’s poem), the audience of recipients (students of all ages), the remediation of all the three canticles ...
Valentina Rovere
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni
KonservatoryumThe study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden ...
Furkan Aktakka
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