Results 51 to 60 of about 837 (182)
German Life and Letters, Volume 77, Issue 4, Page 514-537, October 2024.ABSTRACT Gerhard Gundermann was an East German open cast miner and ‘Liedermacher’ who died prematurely in 1998 at the age of forty‐three. Although he is known for his controversial involvement with the Stasi in his early career, very little has been written about his art, including the ‘Liedertheater’ work he performed with Brigade Feuerstein in the ...
David Robb
wiley +1 more source
Nuotolinis Dantės vertimų skaitymas
Vertimo Studijos, 2017 [straipsnis ir santrauka anglų kalba, santrauka lietuvių kalba] Straipsnyje aptariamas naujas mokslinis projektas, kurio tikslas – parengti šimte šalių išleistų Dantės „Dieviškosios komedijos“ (Commedia)vertimų katalogą ir juos ...
Jacob Blakesley
doaj +1 more source
Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy
Renaissance Studies, Volume 38, Issue 3, Page 394-415, June 2024.Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
wiley +1 more source
Transactions of the Philological Society, Volume 122, Issue 1, Page 119-150, March 2024.Abstract Degrammaticalisation is an oft‐dismissed category of language change. In this paper evidence is provided for its existence, its triggers, and its conditions. This case study details the development of an understudied Old Italo‐Romance indefinite, covelle, a polarity‐sensitive item roughly translating as ‘anything’ which originated from a Latin
Nicola D’Antuono
wiley +1 more source
Dante’s “gran palazzo” in Purgatorio X, re-visited by Botticelli
Dante e l'ArteThis paper explores the depiction of the gran palazzo in Sandro Botticelli’s drawing for Canto X of Dante Alighieri’s Purgatorio, highlighting its unique role as one of the few elaborated architectural settings within the artist’s Commedia cycle.
Dagmar Korbacher
doaj +1 more source
Orbis Litterarum, Volume 79, Issue 1, Page 47-60, February 2024.Abstract The question of the relation between philosophy and literature is, in the present contribution, approached from the notion of reflexivity as it appears in the thinking of Herder and Gadamer. Following up on Gadamer's critique of the Kantian and post‐Kantian idea of the autonomy of art, literature is considered a reflective discourse that at an
Julio Jensen
wiley +1 more source
‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies
Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
wiley +1 more source
Anuário de Literatura, 2011 O mote para este artigo foi aliar a temática “Cinema e História” ao gênero cinematográfico commedia all’italiana. Para tal, primeiramente, discorre-se em linhas gerais sobre o gênero. Mais especificamente, a segunda parte trata da representação histórica
Celina Vivian Lima Augusto
doaj +1 more source
Traditional and modern pigments in Gino Severini's Swiss murals
Color Research &Application, Volume 49, Issue 1, Page 124-143, January/February 2024.UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti +3 more
wiley +1 more source
Traduzione come interpretazione - nella Commedia e della Commedia
, 2017 L’obiettivo dell’articolo è quello di affrontare due questioni legate alla problematica traduttologica in riferimento alla Divina Commedia di Dante: in primo luogo sono state esaminate – su pochi esempi – le ‘strategie traduttologiche’ dell’Alighieri nei confronti della poesia classica, in secondo – qualche errore di traduzione nella versione polacca ...
openaire +2 more sources