Results 51 to 60 of about 18,151 (215)

Apuleio, l’adulterio e la "Milesia" di Donato Giannotti

Versants, 2022
Partendo dalla commedia fiorentina di inizio Cinquecento, il saggio prende in esame la Milesia di Giannotti collocandola a fianco degli analoghi esperimenti teatrali in versi realizzati da Jacopo Nardi e da Lorenzo Strozzi.
Paola Cosentino
doaj   +1 more source

Dante e os templários: a falência da justiça dos homens

Anamorphosis
Dante Alighieri nasceu em Florença (1265) e morreu em Ravenna (1321). Por questões políticas, o poeta foi exilado de Florença (1302), e jamais pôde retornar a sua cidade natal.
Suzana Yolanda Machado Cánovas
doaj   +1 more source

"In questo", il teatro gli scenari della commedia dell'arte "In this", the theater and the scenery of the commedia dell'arte

Trans/Form/Ação, 2001
Il segreto della commedia dell'arte è stato nel paradosso di Maschera e Improvvisazione, Tipo Fisso e Testo Variabile, Conservazione e Innovazione. Per questo è stato nei secoli esaltata o denigrata: considerata reazionaria dalla Rivoluzione francese e ...
Roberto Cuppone
doaj   +1 more source

MIGRATION, MOBILITY, AND BEING IN TRANSLATION

History and Theory, Volume 64, Issue 3, Page 396-404, September 2025.
ABSTRACT Drawing on an expanded concept of translation as process and practice, this contribution to the “Translation, Migration, Narrative” forum explores how migrants, as described by scholars such as Paul F. Bandia, embody “translated beings” who are marked both by agency and by constraint.
Peter Schneck, Julie M. Weise
wiley   +1 more source

Prayer, Participation, and Perfection in Dante's Commedia

Modern Theology, Volume 41, Issue 3, Page 515-538, July 2025.
Abstract This article stands at the intersection of two theological moments: one recognizing the theological authority of Dante Alighieri, especially in his Commedia, the other examining the relation of the doctrine of prayer to the doctrine of God. It argues that Dante can inform modern theological reflection on this relation in a profound way.
Stephen C. Pepper
wiley   +1 more source

Riflessioni sulla genesi della "Commedia"

, 2008
Ipotesi sulla genesi e sulla datazione della ...
PASQUINI, EMILIO
core   +1 more source

Nuotolinis Dantės vertimų skaitymas

Vertimo Studijos, 2017
[straipsnis ir santrauka anglų kalba, santrauka lietuvių kalba] Straipsnyje  aptariamas  naujas  mokslinis  projektas,  kurio  tikslas  –  parengti  šimte  šalių  išleistų  Dantės  „Dieviškosios komedijos“ (Commedia)vertimų katalogą ir juos ...
Jacob Blakesley
doaj   +1 more source

Singing Community in Martin Luther's Kirchenlieder

The German Quarterly, Volume 98, Issue 1, Page 54-70, Winter 2025.
Abstract In this essay, I claim that Martin Luther's Kirchenlieder can be read as Volkslieder, a reading which allows us to account for their function of consolidating identity through communal singing. Luther's songs, I argue, are activated in their being voiced—voice, here, understood in a non‐metaphorical mode, as the material utterance of a singing
Evan Strouss
wiley   +1 more source

Recepció d’una Commedia primerenca a Sicília

Revista de Cancioneros Impresos y Manuscritos
Aquest article descriu un manuscrit primerenc de la Commedia que forma part del grup dels «Danti del Cento» (1325-1350) i que es va finalitzar a Sicília, i intenta traçar en la mesura del possible la història des de Florència fins a la BNE, on es ...
Marina Navàs Farré
doaj   +1 more source

THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN

German Life and Letters, Volume 77, Issue 4, Page 514-537, October 2024.
ABSTRACT Gerhard Gundermann was an East German open cast miner and ‘Liedermacher’ who died prematurely in 1998 at the age of forty‐three. Although he is known for his controversial involvement with the Stasi in his early career, very little has been written about his art, including the ‘Liedertheater’ work he performed with Brigade Feuerstein in the ...
David Robb
wiley   +1 more source