Results 51 to 60 of about 774 (117)
Apuleio, l’adulterio e la "Milesia" di Donato Giannotti
Versants, 2022 Partendo dalla commedia fiorentina di inizio Cinquecento, il saggio prende in esame la Milesia di Giannotti collocandola a fianco degli analoghi esperimenti teatrali in versi realizzati da Jacopo Nardi e da Lorenzo Strozzi.
Paola Cosentino
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MIGRATION, MOBILITY, AND BEING IN TRANSLATION
History and Theory, Volume 64, Issue 3, Page 396-404, September 2025.ABSTRACT Drawing on an expanded concept of translation as process and practice, this contribution to the “Translation, Migration, Narrative” forum explores how migrants, as described by scholars such as Paul F. Bandia, embody “translated beings” who are marked both by agency and by constraint.
Peter Schneck, Julie M. Weise
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Commedia dell’arte și grummelot-ul
Symbolon, 2020 Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
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Studi Slavistici, 2021 During the late nineteenth and early twentieth centuries, in the academic and literary circles of tsarist Russia Dante’s Divina Commedia was considered as a religious poem. The theological background underlying the work incurred ecclesiastical censorship,
Kristina Landa
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Prayer, Participation, and Perfection in Dante's Commedia
Modern Theology, Volume 41, Issue 3, Page 515-538, July 2025.Abstract This article stands at the intersection of two theological moments: one recognizing the theological authority of Dante Alighieri, especially in his Commedia, the other examining the relation of the doctrine of prayer to the doctrine of God. It argues that Dante can inform modern theological reflection on this relation in a profound way.
Stephen C. Pepper
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Dante e os templários: a falência da justiça dos homens
AnamorphosisDante Alighieri nasceu em Florença (1265) e morreu em Ravenna (1321). Por questões políticas, o poeta foi exilado de Florença (1302), e jamais pôde retornar a sua cidade natal.
Suzana Yolanda Machado Cánovas
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Trans/Form/Ação, 2001 Il segreto della commedia dell'arte è stato nel paradosso di Maschera e Improvvisazione, Tipo Fisso e Testo Variabile, Conservazione e Innovazione. Per questo è stato nei secoli esaltata o denigrata: considerata reazionaria dalla Rivoluzione francese e ...
Roberto Cuppone
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Singing Community in Martin Luther's Kirchenlieder
The German Quarterly, Volume 98, Issue 1, Page 54-70, Winter 2025.Abstract In this essay, I claim that Martin Luther's Kirchenlieder can be read as Volkslieder, a reading which allows us to account for their function of consolidating identity through communal singing. Luther's songs, I argue, are activated in their being voiced—voice, here, understood in a non‐metaphorical mode, as the material utterance of a singing
Evan Strouss
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Sofocle senza χλανίς: nota a un aneddoto comico-erudito
Erga-LogoiSophocles without his χλανίς: a note to a comic and scholarly anecdote This note examines the anecdote concerning Sophocles and the stealing of his cloak, which was told by the peripatetic Hieronymos of Rhodes.
Antonio Mura
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German Life and Letters, Volume 77, Issue 4, Page 514-537, October 2024.ABSTRACT Gerhard Gundermann was an East German open cast miner and ‘Liedermacher’ who died prematurely in 1998 at the age of forty‐three. Although he is known for his controversial involvement with the Stasi in his early career, very little has been written about his art, including the ‘Liedertheater’ work he performed with Brigade Feuerstein in the ...
David Robb
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