Results 61 to 70 of about 774 (117)
Nuotolinis Dantės vertimų skaitymas
[straipsnis ir santrauka anglų kalba, santrauka lietuvių kalba] Straipsnyje aptariamas naujas mokslinis projektas, kurio tikslas – parengti šimte šalių išleistų Dantės „Dieviškosios komedijos“ (Commedia)vertimų katalogą ir juos ...
Jacob Blakesley
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Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy
Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
wiley +1 more source
Dante’s “gran palazzo” in Purgatorio X, re-visited by Botticelli
This paper explores the depiction of the gran palazzo in Sandro Botticelli’s drawing for Canto X of Dante Alighieri’s Purgatorio, highlighting its unique role as one of the few elaborated architectural settings within the artist’s Commedia cycle.
Dagmar Korbacher
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Abstract Degrammaticalisation is an oft‐dismissed category of language change. In this paper evidence is provided for its existence, its triggers, and its conditions. This case study details the development of an understudied Old Italo‐Romance indefinite, covelle, a polarity‐sensitive item roughly translating as ‘anything’ which originated from a Latin
Nicola D’Antuono
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Abstract The question of the relation between philosophy and literature is, in the present contribution, approached from the notion of reflexivity as it appears in the thinking of Herder and Gadamer. Following up on Gadamer's critique of the Kantian and post‐Kantian idea of the autonomy of art, literature is considered a reflective discourse that at an
Julio Jensen
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‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies
Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
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O mote para este artigo foi aliar a temática “Cinema e História” ao gênero cinematográfico commedia all’italiana. Para tal, primeiramente, discorre-se em linhas gerais sobre o gênero. Mais especificamente, a segunda parte trata da representação histórica
Celina Vivian Lima Augusto
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Traditional and modern pigments in Gino Severini's Swiss murals
UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti +3 more
wiley +1 more source
Recepció d’una Commedia primerenca a Sicília
Aquest article descriu un manuscrit primerenc de la Commedia que forma part del grup dels «Danti del Cento» (1325-1350) i que es va finalitzar a Sicília, i intenta traçar en la mesura del possible la història des de Florència fins a la BNE, on es ...
Marina Navàs Farré
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Pagan Gods as Figures of Speech: Dante's Use of Servius in the Vita Nova. [PDF]
Vitale V.
europepmc +1 more source

