Results 61 to 70 of about 837 (182)
Milton's “Paradise of Fools” and Reformation Iconography
Milton Quarterly, Volume 59, Issue 1, Page 31-39, March 2025.
Jane Partner
wiley +1 more source
Recepció d’una Commedia primerenca a Sicília
Aquest article descriu un manuscrit primerenc de la Commedia que forma part del grup dels «Danti del Cento» (1325-1350) i que es va finalitzar a Sicília, i intenta traçar en la mesura del possible la història des de Florència fins a la BNE, on es ...
Marina Navàs Farré
doaj +1 more source
Comparación entre tres personajes femeninos de la Divina comedia
En el presente ensayo, compararemos tres personajes femeninos de la Commedia: Francesca, Pia y Piccarda, tomando en cuenta dos perspectivas. La primera consiste en analizar su discurso en función de la totalidad de la obra a través de algunas coordenadas
Gabriel Martínez Vera
doaj +1 more source
Pagan Gods as Figures of Speech: Dante's Use of Servius in the Vita Nova. [PDF]
Vitale V.
europepmc +1 more source
Aquest article té com a objecte d’estudi la Glòria d’amor de fra Bernat Hug de Rocabertí (c. 1416/20-1485), un llarg poema narratiu amb clara influència de la Commedia de Dante i d’altres obres italianes, com l’Amorosa visione i l’Ametode Boccaccio, però
Marta Marfany
doaj +1 more source
Commedia dell’arte și grummelot-ul
Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
doaj
Three Plays by Austin Clarke and the Commedia Tradition
Commedia dell’arte influenced theatrical production styles in many European countries, Ireland being no exception, assimilating the influence through pantomime during colonial times.
Christopher Murray
doaj +1 more source
Harlequin syndrome associated with thoracic epidural anaesthesia. [PDF]
Persson RM +4 more
europepmc +1 more source
Illustrating Kant’s Aesthetic Theory: Mime, Pantomime, Commedia dell’Arte
Kant’s Critique of the Power of Judgement, a seminal work in the history of aesthetics, contains some puzzling passages about mime and gesture. This article examines these references as well as Kant’s claims about commedia dell’arte, considering his ...
Robert R. Clewis
doaj +1 more source
Le paradis de Gianni Celati [PDF]
Lunario del paradiso (1978) by Gianni Celati is the final book of the Parlamenti buffi trilogy, which is inspired by the cantiche of the Commedia. This paper discusses Celati’s text as a parody of the Commedia.
Pascaline Nicou
doaj

