Results 51 to 60 of about 49,284 (213)
Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆
Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
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Perspectives Médiévales, 2023 Within the rewritings of Dante’s Commedia published in 2021 three different trends can be highlighted : the aim (using modern tools to re-tell Dante’s poem), the audience of recipients (students of all ages), the remediation of all the three canticles ...
Valentina Rovere
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Noël Coward and the Sitwells: enmity, celebrity, popularity [PDF]
, 2015 In 1923, the year of the first public performance of Edith Sitwell and William Walton's Façade, Noël Coward satirized the Sitwell siblings in his sketch “The Swiss Family Whittlebot.” The result was an enduring feud between Coward and the Sitwells that ...
Hammill, Faye
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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Encounters and blind spots: Pirandello, Evreinov and Brecht [PDF]
, 2016 No abstract ...
Segnini, Elisa
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The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni
KonservatoryumThe study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden ...
Furkan Aktakka
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Apuleio, l’adulterio e la "Milesia" di Donato Giannotti
Versants, 2022 Partendo dalla commedia fiorentina di inizio Cinquecento, il saggio prende in esame la Milesia di Giannotti collocandola a fianco degli analoghi esperimenti teatrali in versi realizzati da Jacopo Nardi e da Lorenzo Strozzi.
Paola Cosentino
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MIGRATION, MOBILITY, AND BEING IN TRANSLATION
History and Theory, Volume 64, Issue 3, Page 396-404, September 2025.ABSTRACT Drawing on an expanded concept of translation as process and practice, this contribution to the “Translation, Migration, Narrative” forum explores how migrants, as described by scholars such as Paul F. Bandia, embody “translated beings” who are marked both by agency and by constraint.
Peter Schneck, Julie M. Weise
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Studi Slavistici, 2021 During the late nineteenth and early twentieth centuries, in the academic and literary circles of tsarist Russia Dante’s Divina Commedia was considered as a religious poem. The theological background underlying the work incurred ecclesiastical censorship,
Kristina Landa
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Editorial for special issue on education and humour: Education and humour as tools for social awareness and critical consciousness in contemporary classrooms [PDF]
, 2015 It is not new to consider the instructive power of humour. Both Plato and Aristotle, through their superiority theories, saw the benefit of wit as a social corrective, although they remained suspicious of the uneducated laughter of the masses (Plato in ...
Lindo, LM, Mora, RA, Weaver, S
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