Results 71 to 80 of about 49,123 (212)
Dante’s “gran palazzo” in Purgatorio X, re-visited by Botticelli
Dante e l'ArteThis paper explores the depiction of the gran palazzo in Sandro Botticelli’s drawing for Canto X of Dante Alighieri’s Purgatorio, highlighting its unique role as one of the few elaborated architectural settings within the artist’s Commedia cycle.
Dagmar Korbacher
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Nuotolinis Dantės vertimų skaitymas
Vertimo Studijos, 2017 [straipsnis ir santrauka anglų kalba, santrauka lietuvių kalba] Straipsnyje aptariamas naujas mokslinis projektas, kurio tikslas – parengti šimte šalių išleistų Dantės „Dieviškosios komedijos“ (Commedia)vertimų katalogą ir juos ...
Jacob Blakesley
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‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies
Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
wiley +1 more source
The difficulty surrounding the interpretation of the eighth Bolgia of Dante's Inferno [PDF]
, 2003 The final voyage of Ulysses, which is recounted by the Greek hero in the eighth bolgia of Dante’s Inferno, has given rise to much critical debate. An authoritative reading of the episode has been difficult to establish because Ulysses’ monologue appears ...
Hawkes, Adrian
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Traditional and modern pigments in Gino Severini's Swiss murals
Color Research &Application, Volume 49, Issue 1, Page 124-143, January/February 2024.UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti +3 more
wiley +1 more source
The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni
KonservatoryumThe study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden ...
Furkan Aktakka
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Fall Fringe Festival 2004: Galileo Galilei, October 30-November 7, 2004 [PDF]
, 2004 This is the concert program of the Fall Fringe Festival 2004 performance of Galileo Galilei by Philip Glass, running October 30, 31, 2004 and November 4, 6, 7, 2004, at the Boston University Theatre, Studio 210, 264 Huntington Avenue.
School of Music, Boston University
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Commedia dell’arte și grummelot-ul
Symbolon, 2020 Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
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Traduzione come interpretazione - nella Commedia e della Commedia
, 2017 L’obiettivo dell’articolo è quello di affrontare due questioni legate alla problematica traduttologica in riferimento alla Divina Commedia di Dante: in primo luogo sono state esaminate – su pochi esempi – le ‘strategie traduttologiche’ dell’Alighieri nei confronti della poesia classica, in secondo – qualche errore di traduzione nella versione polacca ...
openaire +2 more sources
Editorial for special issue on education and humour: Education and humour as tools for social awareness and critical consciousness in contemporary classrooms [PDF]
, 2015 It is not new to consider the instructive power of humour. Both Plato and Aristotle, through their superiority theories, saw the benefit of wit as a social corrective, although they remained suspicious of the uneducated laughter of the masses (Plato in ...
Lindo, LM, Mora, RA, Weaver, S
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