Results 71 to 80 of about 49,284 (213)

Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy

Renaissance Studies, Volume 38, Issue 3, Page 394-415, June 2024.
Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
wiley   +1 more source

Dante’s “gran palazzo” in Purgatorio X, re-visited by Botticelli

Dante e l'Arte
This paper explores the depiction of the gran palazzo in Sandro Botticelli’s drawing for Canto X of Dante Alighieri’s Purgatorio, highlighting its unique role as one of the few elaborated architectural settings within the artist’s Commedia cycle.
Dagmar Korbacher
doaj   +1 more source

Time's Arrow New Music Ensemble, April 12, 2006 [PDF]

, 2006
This is the concert program of the Time's Arrow performance on Wednesday, April 12, 2006 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were "Composer's Holiday" by Lukas Foss, "Three Poems of Sylvia Plath" by James Radford, "
School of Music, Boston University
core  

From Latin QUO(D) VELLES to Romagnol Cvël: A Case of Degrammaticalisation from a Free‐choice Indefinite to the Noun ‘Thing’1

Transactions of the Philological Society, Volume 122, Issue 1, Page 119-150, March 2024.
Abstract Degrammaticalisation is an oft‐dismissed category of language change. In this paper evidence is provided for its existence, its triggers, and its conditions. This case study details the development of an understudied Old Italo‐Romance indefinite, covelle, a polarity‐sensitive item roughly translating as ‘anything’ which originated from a Latin
Nicola D’Antuono
wiley   +1 more source

Matelda in the Terrestrial Paradise [PDF]

, 2002
This analysis of the enigmatic figure of Matelda, guardian of the Terrestrial Paradise in Dante's Purgatorio, considers both the unresolved question of Matelda's historical identity, in particular whether Dante is alluding to the historical personage ...
Glenn, Diana Cavuoto
core  

Exemplarity and reflexivity in literature: Towards an elucidation of the knowledge embedded in the literary text

Orbis Litterarum, Volume 79, Issue 1, Page 47-60, February 2024.
Abstract The question of the relation between philosophy and literature is, in the present contribution, approached from the notion of reflexivity as it appears in the thinking of Herder and Gadamer. Following up on Gadamer's critique of the Kantian and post‐Kantian idea of the autonomy of art, literature is considered a reflective discourse that at an
Julio Jensen
wiley   +1 more source

Traduzione come interpretazione - nella Commedia e della Commedia

, 2017
L’obiettivo dell’articolo è quello di affrontare due questioni legate alla problematica traduttologica in riferimento alla Divina Commedia di Dante: in primo luogo sono state esaminate – su pochi esempi – le ‘strategie traduttologiche’ dell’Alighieri nei confronti della poesia classica, in secondo – qualche errore di traduzione nella versione polacca ...
openaire   +2 more sources

‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies

Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.
Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
wiley   +1 more source

A questão histórica no gênero cinematográfico commedia all’ italiana: a Primeira Guerra Mundial na ficção

Anuário de Literatura, 2011
O mote para este artigo foi aliar a temática “Cinema e História” ao gênero cinematográfico commedia all’italiana. Para tal, primeiramente, discorre-se em linhas gerais sobre o gênero. Mais especificamente, a segunda parte trata da representação histórica
Celina Vivian Lima Augusto
doaj   +1 more source

Traditional and modern pigments in Gino Severini's Swiss murals

Color Research &Application, Volume 49, Issue 1, Page 124-143, January/February 2024.
UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti, Stefan Zumbühl, Nadim Scherrer, Francesca Piqué   +3 more
wiley   +1 more source