Results 1 to 10 of about 5,512 (161)
Quaderns d'Italià, 1997 Questo articolo analizza le origini e lo sviluppo della Commedia dell’Arte e del tipo di drammaturgia utilizzata. All’inizio del Cinquecento il mestiere di chi si guadagnava da vivere recitando divenne molto diffuso e si trasformò da attività ...
Siro Ferrone
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Attori-autori della Commedia dell’Arte [PDF]
Quaderns d'Italià, 1997 L’articolo si focalizza sulla drammaturgia degli attori-autori della Commedia dell’Arte cercando di estrapolarne i tratti comuni. La produzione letteraria dei comici è imponente per quantità e varietà.
Cesare Molinari
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A commedia dell'arte e sua reoperacionalização The Commedia dell'arte and his reoperation
Trans/Form/Ação, 2001 Análise da commedia dell'arte a partir de uma perspectiva histórico-crítica, enfatizando-se as várias maneiras de sua apropriação no século XX. Partindo de elementos da commedia dell'arte, serão ressaltados os temas da migração do teatro de praça para o ...
José Eduardo Vendramini
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Editorial: Comicidade e Commedia dell'Arte
Conceição/Conception, 2017 O presente número da Conceição/Conception (vol. 6, n. 1) foi organizado em parceria com a Profa. Dra. Vilma Campos dos Santos Leite, da Universidade Federal de Uberlândia, tendo como temática o estudo da comicidade e Commedia dell’Arte.
Mariana Baruco Andraus
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Diasporic Transgressions of Commedia dell’arte [PDF]
Caietele Echinox, 2023 Ever since its “birth certificate” on February 25, 1545, Commedia dell’arte’s substantial resources of itineracy, improvisation, subversion, extraterritoriality, extemporaneity, laughter, and joy have unceasingly unveiled their essential mutability and ...
Gabriel C. Gherasim
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Commedia dell’arte and the Gate Theatre
Review of Irish Studies in Europe, 2021 This essay reveals the centrality of commedia dell’arte in defining the Gate’s theatrical style in the first four decades of its existence. In its theatricality, as well as its emphasis on the international and the queer, Hilton Edwards and Micheál mac ...
Ian R. Walsh
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The European Journal of Humour Research, 2015 Commedia dell’Arte is the 16th century genre of theatre from Italy where characters such as Pantalone, Dottore, Il Capitano and Arlecchino reappear in performances showcasing human frailties in comic ways.
Corinna Di Niro, Pablo Muslera
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Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents [PDF]
, 2008 Introduction to "Issues in Review: New developments in commedia research", 141-240, guest editor M A Katritzky. The first of six articles in this section, it introduces the five further articles, by Maria Ines Aliverti (158-180), Rosalind Kerr (181-197),
Katritzky, M. A.
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La Commedia dell’Arte. Un fenomeno europeo
Drammaturgia, 2020 The expression ‘Commedia dell’Arte’ refers to a Europe-wide theatrical phenomenon based on the activity of professionals gifted with many abilities and willing to travel.
Siro Ferrone
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Editorial for special issue on education and humour: Education and humour as tools for social awareness and critical consciousness in contemporary classrooms [PDF]
, 2015 It is not new to consider the instructive power of humour. Both Plato and Aristotle, through their superiority theories, saw the benefit of wit as a social corrective, although they remained suspicious of the uneducated laughter of the masses (Plato in ...
Lindo, LM, Mora, RA, Weaver, S
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